A Quote by Peter Morgan
I'm not being presumptuous, I hope, when I say that 'The Crown' is little bit like 'The Godfather.' It is essentially about a family in power and survival.
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Not only would I say that the family is important for the evangelization of the new world. The family is important, and it is necessary for the survival of humanity. Without the family, the cultural survival of the human race would be at risk. The family, whether we like it or not, is the foundation.
It not only is a complete undermining of the principles of family and marriage and the hope of future generations, but it completely begins to see our society break down to the extent that that foundational unit of the family that is the hope of survival of this country is diminished to the extent that it literally is a threat to the nation's survival in the long run.
Presumptuous for me to say, but at least - at a minimum - I've been able to influence the direction of the Democratic Party on foreign policy. And I've been relatively - presumptuous to say - relatively successful legislatively in the Senate, being able to win a lot of Republican friends, and being able to cross the aisle.
I will say that the power of being a stranger in someone else's religious community has its own lessons, really. It is something like the power of visiting another very happy extended family and being at their table.
I had no godfather/godmother/filmi family backing me, but I made it only because I just believed in my talent, and my audience reposed their faith in me. So, I always say that my godfather in B-town has been my audience. Without them, I would be nowhere.
Our hope is that every single day the work we're doing is helping to make the American people just a little bit safer, a little bit more prosperous, a little bit healthier.
I will say this, being an anchor is easier than being a reporter, because one of the things I'm able to do is essentially work a bit of a split shift.
I'll tell you one thing about me, and that is that I'm not to keen on being bossed around. If, say, my Mom tells me to empty the dishwasher, I like to wait a little bit, you know, not hop up and do it right away, because then it feels more like my own idea. That's a little problematic when you have an actual boss.
The people at the very top could fall by and grace you with their presence and give you a little largesse, and you'd be "Oh, I'm so beloved." In a way, it was kind of like flattery. The middle managers didn't quite have that cachet, but at the same time, they had to seem like they were of that caliber. So there's a little bit of loneliness at the heart of those with a little bit of power.
For some reason, when I think feminism, I think, like, 'Well, you can't include men if you're talking about feminism and being a feminist,' so I get a little bit muddled. I find it to be a bit grey. Then if you say you are not a feminist, that means that you're not pro-woman!
My family life reads a bit like 'Little House on the Prairie.' I was big sister to Joan, Renee, and brother William, and we grew up in Dalkey, a little town 10 miles outside of Dublin. It was a secure, safe and happy childhood, which was meant to be a disadvantage when it comes to writing stories about family dramas.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
My dad is so unique in what he does. It's not like I'm taking a torch from him and doing his thing. I hope I've carried from him a little bit of a sense of irony, a little bit of a wink.
Little by little, bit by bit, family by family, so much good can be done on so many levels
I don't really know too many designers. I like a lot of what Kanye West has done with Yeezy, but I think it's a bit too, how you say, elevated; it's a little bit too special. Like he's trying to make something that's kind of a little bit too cool sometimes.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
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