A Quote by Peter Morgan
It is a fairly serious thing that you're doing if you're writing about people who are still alive and who still have a role in public life. Sometimes you don't want to be reminded too much of the responsibility.
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I always had a very strong sense of responsibility, so the minute I started to work in fashion, I was always tremendously serious-too much sometimes. Of course, you can make a lot of mistakes in this job-I still do-but you need to limit them as much as possible. When you're responsible for such a huge company, you cannot play too much. In the beginning, I was working 20 hours per day and I was going crazy. I learned that I needed to delegate and to trust the people around me, but there is still not one element that I don't see or edit or discuss with my people.
The great thing about James Baldwin and his writing is that it's still fresh every time you pick it up. That's also the sad thing about his writing sometimes, too.
It's a huge responsibility writing about people who are alive. It's the thing about writing that keeps me awake at night: dramatising real-life events with real people.
The fact that ‘attention seeking’ is still considered a slur says much about the role of women in public life, on every scale.
The years rolled their brutal course down the hill of time. Still poor, my clothes still smelling of the horse barn, still writing those doubtful poems where too much emotion clashed with too many words.
If you can still write in spite of the fact that you're not getting paid, that nobody cares about what you're writing, that nobody wants to publish it, that everybody is telling you to do something else, and you still want to and you still enjoy it and you can't stop doing it...then you're a writer.
The other thing - and writers can say whatever they want - is casting. You need to find a person who can inhabit that role, who can not sugarcoat the bad stuff, and not be too hard on the good stuff, but who can come across as a three-dimensional human being with some depth and some thought about what they're doing. When you find James Gandolfini or Jon Hamm, someone who can inhabit this role but still has a natural humanity to them, no matter what they're doing? It's a gift.
It wasn't a case of me sitting down and thinking, right then, what shall I do with my life? Airline pilot? Plumber? Guitar manufacturer? Writer .... yeah, writer. I've always loved writing, from a very early age--I guess I was writing my first stories when I was still in single digits. It progressed, and the love of writing grew in my mind and is still growing. Doing it full-time, there are different stresses and tensions, and the business side of it comes to the fore sometimes. But I still love it, and I'm always thankful that I can do what I do and make a living from it.
Even in the worst time of life, if you are still breathing, that means you are still alive. If you are still here, you haven't accomplished what is still to be accomplished. The most important part of your life is still ahead of you.
I think about dying but I don't want to die. Not even close. In fact my problem is the complete opposite. I want to live, I want to escape. I feel trapped and bored and claustrophobic. There's so much to see and so much to do but I somehow still find myself doing nothing at all. I'm still here in this metaphorical bubble of existence and I can't quite figure out what the hell I'm doing or how to get out of it.
I feel a lot older than I am but at the same time I don't want to play too old on T.V. I still want to be young. I still want to be 20 and enjoy this period of my life where I still have that flexibility.
At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.
The worst thing a man can admit is 'I'm not 100 percent fulfilled by my family.' But it doesn't mean he doesn't love his family. I love my family, but I still want to work; I still want challenges. It took me a while to fall in love with the responsibility of family life, and it was a deep thing when I did.
I no longer feel I'll be dead by thirty; now it's sixty. I suppose these deadlines we set for ourselves are really a way of saying we appreciate time, and want to use all of it. I'm still
writing, I'm still writing poetry, I still can't explain why, and I'm still running out of time.
For me, it's always been about doing different things... If you're still jazzed about the possibilities, the chances of you coming up with stuff that has flavor is more conceivable. It keeps you going. Like working with the younger artists. It reminded us of who we are. Sometimes you need that.
I don't want to generalize, but the target audience for a lot of the YouTube people is fairly young - under the age of 16. You still want to know what those people are watching, because I think it's interesting, but sometimes it just makes you feel old.
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