A Quote by Peter Morgan

I can't relax when I'm watching a biographical drama because it's so close to what it is that I do that I just long for more fiction - so that I can switch off. — © Peter Morgan
I can't relax when I'm watching a biographical drama because it's so close to what it is that I do that I just long for more fiction - so that I can switch off.
I can't relax when I'm watching a biographical drama, because it's so close to what it is that I do that I just long for more fiction - so that I can switch off.
In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
When I was a kid watching wrestling, that's kind of how it was. You had these long feuds and storylines, and you just got more and more interested, and you wanted to see where it was going to go. You wanted to see the big blow-off match, and I like that stuff because that's what I grew up watching.
People have to understand how important it is for the players to let off steam, switch off and relax.
The one bad thing sometimes when you switch 1 through 5, guys think it's easier and they relax. You have to be just as aggressive. If we're going to switch 1 through 5 we got to meet that point of entry at the ball and be physical.
I have an inability after matches are over to sort of switch off and relax completely.
It's so weird to turn on a switch and be the role model for all women, for all African-Americans. That doesn't happen that easily. It just doesn't. And so I don't act up in public and I don't do anything weird - because my sisters are watching me, not because the world is watching me.
In some ways I spend longer at non-fiction because there are a lot of different threads to bring together. But non-fiction is more reflective than immersive. The problem with fiction sometimes is that you have to leave the real world to enter the fictional one. And that takes so much, goes into your head for so long?.?.?.?I don't know, I just feel less inclined toward that these days, and more inclined to remain in my own life. I do like really good fiction, but it's getting harder to hold my attention in a novel.
When I was playing Dracula I had to switch off from the reality and fall into this fantasy world. Otherwise I just couldn't cope with what I was doing. It's about switching off. It is about trying to flick a switch, which you have to do.
Blade Runner is one of my favorite films. But, so many thing influenced me that aren't science fiction because they were just good drama. I grew up watching a lot of French cinema. I was in love with The English Patient, and movies that are very romantic in nature and have a positive message. That's a large part of my fingerprint.
"Community" came to be seen as a chat-group: you switch on as long as your pleasure lasts, then push another button and switch off. Very easy to go in and out, join and leave.
Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.
It's funny because when I was growing up, I was really into science fiction and fantasy as a kid. And, when I first became a screenwriter, I ended up really just doing historical drama and non-fiction based stuff, like Band of Brothers and stuff that didn't get made, but was also non-fiction.
When a game comes around, that's the time to be serious. During the week, the training sessions are serious, but away from there, you have to relax and switch off.
The most purely autobiographical ­fiction requires pure invention. Nobody ever wrote a more auto­biographical story than "The Meta­morphosis".
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