A Quote by Peter Morgan

Every dramatist will tell you that they know deep down what happened in the course of making that film and to what degree they took steps that were convenient and to what degree they took steps in telling their story that were dishonest. You know in your heart of hearts.
Know that there is so much more to you than your body. It's not just about perfecting the steps; you must trust your instincts to tell deep, emotional stories through the steps that you are performing.
Throughout the centuries there were men who took first steps, down new roads, armed with nothing but their own vision.
I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.
I almost got a psychology degree, I almost got a philosophy degree. I kept changing it so they couldn't make me graduate. I studied anthropology and eastern religion, epistomology, and astronomy... I took every interesting course I could find for nine years.
My parents were wonderful Christians. They were religious, but they were not fanatical in any way. I was the one who took it to the extreme. I was told in Sunday school that you had to accept Jesus into your heart if you didn't want to go to hell. So of course I did that a thousand times. But the catch was you had to mean it with all of your heart.
I would say the most memorable thing that has ever happened to me has to be when I got my First class honours Law degree at my University graduation. All my family from all over the world were there when I collected my degree. I will never forget that day.
All the children in the school should learn the steps of everything, before they learn the thing, then they know which step they're doing better, because your voice is in certain steps and has to do most of the things that have been composed in those steps.
When the digital revolution was approaching, we were scared. It was so new to all of us but we when we took it over, it was so convenient because we took it head on.
The great writers like Chekhov know that tragedy and laughter are just a few steps from each other ... but it took me a long time as an actress to learn that. Actually Arthur Miller taught me in the Seventies. We were making a CBS TV drama of his play Playing for Time about Auschwitz but the characters were laughing. It was a big insight for me to realise that that was what's called gallows humour, in this case worse than the gallows, that humans need to laugh and make jokes in order to survive.
I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.
You know, in college, I never got either degree, but I was a double-major in Computer Science and English. And English at Berkeley, where I went to school, is very much creatively-driven. Basically, the entire bachelor's degree in English is all about bullshitting. And Computer Science, which was my other major, was exactly the opposite of that. You had to know what you were doing, and you had to know what you were talking about.
But I'm taking small steps 'Cause I don't know where I'm going I'm taking small steps And I don't know what to say. Small steps, Trying to pull myself together And maybe I'll discover A clue along the way!
Your body is free but your heart is in prison. To release your heart, you simply reverse the process which locked it up. First you begin to listen for messages from your heart-messages you may have been ignoring since childhood. Next you must take the daring, risky step of expressing your heart in the outside world. . . . As you learn to live by heart, every choice you make will become another way of telling your story. . . . It is the way you were meant to exist. If you stop to listen, you'll realize that your heart has been telling you so all along.
Do you remember when you were 10 or 11 years old and you really thought your folks were the best? They were completely omniscient and you took their word for everything. And then you got older and you went through this hideous age when suddenly they were the devil, they were bullies, and they didn't know anything.
My political science degree is always on the back-burner. I took my LSAT, so even if I want to take the LSAT again, I know what I'm getting into. I'll keep it on the back-burner. Who knows, maybe with my popularity, I can have a career in politics with a law degree. I think it'll work out either way.
Drama at Bristol was an academic course: you were judged on your A-levels, and there were no auditions. I did a BA General degree.
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