A Quote by Peter Moskos

When I talk to people the usual progression is, "Flogging's cruel and barbaric," moving very quickly to, "Only 10 lashes for five years?" Then I do worry, actually. On the one hand, once you start quibbling about the number of lashes, I've won. But on the other hand, people who say flogging's not cruel enough... I mean, well, what have we become? God forbid I wake up a couple years from now and we have even longer sentences and we flog people. I mean, then I might jump out a window.
Just because you’ve only been alive for fifteen years doesn’t mean you’re less anything except old. That’s all it means. It doesn’t mean you’re less experienced. It doesn’t mean you’re less intelligent. It doesn’t mean you’re less sensitive. It doesn’t mean you take things less seriously. It’s like, these are younger human beings, meaning don’t, because they’re only ten, start thinking that they don’t know what you’re talking about -because they do. Don’t leave people out in the cold, and don’t talk down to people -don’t. It never works out.
My mother would apply castor oil to my lashes every night. That was kind of torturous, because I would wake up with my eyes stuck close. She knew I would thank her years later for my long, curled lashes!
I do not like to talk about the future. I don't like to be one of those people. It's so easy to have a very vague idea and say, oh, computers will be 3D-ish and then 10 years later I'll say I predicted it 10 years ahead. I don't think that's honest and I don't think that's valid and worth anything.
The thing in comedy is that once you start worrying about something not succeeding, you're frozen. There's no verdict on anything. You can make ¡Three Amigos!, and some people will at the time say, "Oh, that's too silly." Then five years later, silly is hip. Now it's considered art. I never comment on anything I do, because if I say anything negative about X film, or X TV show, or X project, people who saw it and loved it go, "Well, am I an idiot?"
I think British humour is very cruel, and gay humour is very cruel. I think the two go hand-in-hand and that's why they mix so well in England. I think that's why you get so many gay comedians in England that are accepted so well because British humour is very cruel. I love it.
I think I'm great. I mean, I might as well come out and say it. Like most people, I have an ego and I'm in show business, so you have to have kind of a healthy, conflagrated ego to a degree. On the other hand, I'm consumed, like a lot of people, with self-doubt and loathing and guilt.
In real life, my son had a little injury a couple of years ago where we had moved into a new house and he put his hand through a glass window and it cut him really badly. Thank god he had surgery and repaired everything, but I remember I felt frozen I was so scared, and then I realized I was holding my hand just because his hand was hurt.
The No. 1 question I get is, "Do you believe in an open-borders policy?" I'm like, wait a second: What does that really mean? When you say open-borders policy, do you mean that - this is like the US-Mexico border? We put up a sign that says "Keep Out," then 10 yards in we say, "Job Wanted." Is that what people mean by open borders? So that usually shuts people up. But that's the truth.
As you start the company, you start spending spending spending ahead of revenue but then you come out of it and very quickly you should become a company that spends less than it makes. And what I mean by very quickly, is that window of time should be in that 6 to 8 year time frame. And the reason is because if you build your business model correctly it's almost unavoidable.
People talk sometimes of a bestial cruelty, but that's a great injustice and insult to the beasts; a beast can never be so cruel as a man, so artistically cruel. The tiger only tears and gnaws, that's all he can do. He would never think of nailing people by the ears, even if he were able to do it.
I'm not a great one for chatting people up, because it's phony. I don't want people to feel at ease. You want a bit of edge. There are quite long, agonized silences. I love it. Something strange might happen. I mean, taking photographs is a very nasty thing to do. It's very cruel.
Many people I know - writers, poets - they have all been sentenced not once but sometimes three times after they come out. They serve five or six years, come out another time, and then nine years. Come out again, 12 years. Only because they have a different opinion. They are innocent people, they have beautiful minds, beautiful hearts.
My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
When you start a memoir, you think, 'I'm going to blast all the people who were mean to me.' And then you start writing, and you go, actually, it's so much more fun to say nice things about people who were kind and generous to you.
People only live for forty or fifty years so if you were married for twenty or twenty-five of those then that was it. Now people live for eighty years and if your married for fifty or sixty of those you start to get on each other's nerves.
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