A Quote by Peter Mullan

As a dad I'm emotionally dedicated but I'm not 'figuring out their life plans'. But of course as I'm telling them about the rights of wrongs I'm thinking back to what I was like at their age.
I'm at a period in my life when I'm figuring out my idea of who I am and what I want and how to hold onto love -- all that big stuff. And I'm starting to realize that it can happen at any age. I know people who are in their 50s who are figuring out what they want and who they are, and I think it's great. It's like you're always approaching life as a beginner.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
I think at some point I would like to meet my dad. He's in prison in the U.S. for life, so it's about figuring out where he is stationed and making time to see him.
Ryan is an amazing person. When I was his age, I wasn't thinking about giving someone a kidney. How do you ever repay someone for something like that? You can't. It's not like borrowing $20 from someone and telling them you're going to give it back. It's something that you can never repay someone for.
Fathers and sons are natural enemies. Look at any species. Shark, sees his father in the water, he's not thinking, Hey dad, wassup ? He's thinking, Back off, old man, this surfer carcass is mine. Of course, when his girlfriend swims up and she's like, Way, you know, there's enough surfer for everybody. You and your dad need to frenzy together more. Leave you father a thigh.
I like figuring out where I need to be mentally so that I'm not thinking about the camera and that it's second nature. I want to get to a place where I can exist within the confines of what you can do with filmmaking and not have to think about it.
Folks who make such a fuss about their rights turn them into wrongs sometimes. -- (from Behind the White Brick)
I've dedicated a lot of my life as a writer to understanding how to hear the divine voice, or the music of the spheres, or whatever it is that we do when we're making art, making something out of nothing. Figuring out how to do that is much more important than knowing how to execute a good line. I don't think about that anymore, I just write.
The "18/40/60" rule to happiness: At age 18, people care very much about what others think of them. By age 40, they learn not to worry what others think. By age 60, they figure out that no one was thinking about them in the first place.
We didn't set out to make some polemic about life in the digital age, I can only react emotionally to story ideas. You hear an idea and you go, 'That's cool. I can see spending a few years of my life working on that.' As a filmmaker, you approach it like, 'OK. They're going to give you all this money to make this movie. It's like an electric train set you get to play with.'
I don't like telling people what my plans are, because I have big plans.
I don't like to direct the actors by telling them what to do. If anything, it's reminding them where they are in the movie, what's happening emotionally and what they want in the scene.
I just like the obstacle course of figuring out something.
From the age of 17, I lived the life of a hermit and dedicated myself to gym life, first in the South Bronx and then back in England. I was in a bubble and I bypassed a lot of popular culture.
I'm a dedicated father - a hopeless, dedicated father. I mean, I am dork dad. I am just - I love my children. I have kids - you know, Joey's 30-something, and then I have all the way down to 4 years old, believe it or not. At my age, five kids.
Many of us will be obsessed with one or another kind of secret or revelation, be it gossip about friends or ourselves, a fantasy about spies, or a worry about the most personal information now stored in data banks. But few of us think about secrets in general, or about the moral rights and wrongs of hiding or exposing them.
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