A Quote by Peter O'Toole

It's such a relief for me to sit in front of a tape recorder and not be using it to learn my lines. — © Peter O'Toole
It's such a relief for me to sit in front of a tape recorder and not be using it to learn my lines.
Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
I could learn how to press 'Record' on a tape recorder and write for a newspaper or a magazine.
Well, if you're not a man in glasses standing in front of me with a tape recorder going like this, I can't see anything. But if you are, then I see perfectly well.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
I could have been a top notch spy. People confess the most amazing secrets to me, even when I am not fishing for those nuggets. I must look trustworthy because I sit there with a video camera or a tape recorder while the stories pour out.
I was a staff songwriter for Combine Music Publishing in Nashville for seven years. I'd sit around with a groups of friends with a Yamaha piano and a tape recorder and crank out songs.
As a 13, - 14-year-old kid, I'd sit on my bed with a tape recorder and a newspaper. I would do my own newscast. I would practice my diction.
My mom was working through my childhood, so I would be running around Mumbai from one dance class to another with my mom carrying the tape recorder with me. I would sit on the sidelines and watch her teach dance.
I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.
Many of my characters first came through to me as voices. That's why I use a tape recorder.
I had invented my own system, my own way of making electronic music at the San Francisco Tape Music Centre, and I was using what is now referred to as a classical electronic music studio, consisting of tube oscillators and patch bays. There were no mixers or synthesizers. So I managed to figure out how to make the oscillators sing. I used a tape delay system using two tape recorders and stringing the tape between the two tape machines and being able to configure the tracks coming back in different ways.
When I was doing interviews at the FBI, my tape recorder battery died. They gave me a new one, and I said, 'Of course, this is bugged?'
When I was a little kid I loved the Marx brothers and discovered Monty Python when I was 10 or 11-years-old. I used to take a tape recorder and hold it up in front of the TV to record entire episodes to play over and over again, so that I could memorise it.
In the Air Force, I had an old Wilcox Gay recorder, and I used to hear guitar runs on that recorder going (vocalizing) like the chords on "I Walk The Line." And I always wanted to write a love song using that theme, that tune.
My first tape piece was made with that Sears Roebuck recorder. I modified sound using cardboard tubes with a microphone in the end to filter the sound. I had a wooden apple box with a Piezo [contact] mic and little objects that I could amplify on the box. I used the bathtub for reverberation.
Life is marvelous now because I have a tape recorder.
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