A Quote by Peter O'Toole

People talk about the '60s, but they were merely a mass production of what the '50s had begun. — © Peter O'Toole
People talk about the '60s, but they were merely a mass production of what the '50s had begun.
Back in the '50s and '60s, most politicians were concerned about not talking about faith, partly because there were consequences you had to deal with - (for instance) Catholicism had been made an issue.
When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
Maybe the '50s and '60s were more awkward because everyone knew there were things under the surface, but no one talked about them.
I just want that someone in their 50s or 60s, when they talk about Brian Lara, they say 'I enjoyed watching that guy playing cricket.'
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
The outburst of sexual freedom in the '60s was bound to happen because the '50s were so oppressing. You had to live that way; women had to be like this - it was all locked into a false reality.
Liverpool really ever since I can remember, but anyway in the '50s and '60s was always a place where people were potentially in show business, knew someone who was, would like to be, had been but were now doing something else and there was a general recreational feeling in the air at all times.
Mass production is nothing new. Weren't cathedrals built through mass production? The pyramids?... Paintings can be painted with the left hand, the right hand, someone else's hand, or many people's hands. The scale of production is irrelevant to its content.
The core of Animal House was about prejudice, about equality, and about inclusion/exclusion. It was about a group of people who were together and anything went. Anybody who wanted in could get it in. Then there was that other group that nobody could get in, unless they were white, and just alike. It was very representative of the culture in the '60s, '50s, and '40s in America.
I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
I think in other generations, the 50s, the 60s, people went into religion and they were really involved with religion. I found that religion doesn't answer certain unique questions people have about faith and belief.
The Second Wave Society is industrial and based on mass production, mass distribution, mass consumption, mass education, mass media, mass recreation, mass entertainment, and weapons of mass destruction. You combine those things with standardization, centralization, concentration, and synchronization, and you wind up with a style of organization we call bureaucracy.
Not only was Dan Cooper likely an alias, but many people suspected at the time were people living under assumed names. The '50s and '60s were a time when some people were desperate to leave their lives. They felt trapped in their marriages or their jobs, and they were seeking freedom. And one of the ways to do that, because technology wasn't advanced as it is today, was just to take over somebody's name.
The characteristic feature of capitalism that distinguishes it from pre-capitalist methods of production was its new principle of marketing. Capitalism is not simply mass production, but mass production to satisfy the needs of the masses.
The '50s were so lame they produced the '60s!
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