A Quote by Peter Orner
Maybe my work is somewhat divided into family stories, things I know intimately, and then everybody else in the world - the strangers who I am totally fascinated with.
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I am writing for myself and strangers. This is the only way that I can do it. Everybody is a real one to me, everybody is like some one else too to me. No one of them that I know can want
to know it and so I write for myself and strangers.
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
It is a misrepresentation to call my works fiction; the work loses something when categorized this way. I realize that the stories are somewhat unbelievable, but the fact that they do actually unfold in reality and leave evidence, that they play out in the "real" world, is important to the work. I am the protagonist of the story, but I am not in full control of it.
I don't know that I am fascinated with crime. I'm fascinated with people and their characters and their obsessions and what they do. And these things lead to crime, but I'm much more fascinated in their minds.
Me and my family are straight. I am blessed. I am alive, man, and I am healthy, and that is the only thing that matters. Me and my family, everybody else, it really doesn't matter because why do you care about somebody talking negative about you if they don't know you?
There is a somewhat-surprising, somewhat totally predictable paucity of struggle in entertainment television. I do like being a part of a show featuring a family from a struggling socioeconomic strata.
I'm totally crazy, I know that. I don't say that to be a smartass, but I know that that's the very essence of what makes my work good. And I know my work is good. Not everybody likes it, that's fine. I don't do it for everybody. Or anybody. I do it because I can't not do it.
A friend to everybody is often a friend to nobody, or else in his simplicity he robs his family to help strangers, and becomes brother to a beggar. There is wisdom in generosity, as in everything else.
Read as much as you write. Go out and meet other writers. Look for stories in everything around you - music, movies, family, strangers, your bus ride to work, and of course the streets. Also - keep moving forward, keep creating new things. Leave evidence of yourself in this world. Imagine what your legacy could be and try to create it.
The film industry is an awkward business - you get together with strangers, get to know them very well and then you make a lot of promises to see each other and you don't. Maybe that is like a real family.
I grew up playing with kids who were the kids of people my parents grew up playing with, and they know me like nobody else. I thought everybody was that way when I was growing up, and then I left to go to college, and I realised that the world is full of strangers.
You know if I see a work that really I am very affected by and inspired by then it makes me want to try things with my work that maybe I hadn't considered trying before and I think that is the biggest complement that you can pay somebody.
I think you find stories with fresh perspectives, and there can be a danger in the opposite way when you start getting too cynical and things just don't start seeming like stories, and things don't seem exciting anymore. It's like, 'Yep, this is my fourth caucus, and I know everybody and know everything and I am writing just to impress my friends.'
In my life, the stories I have heard from my family, my friends, my community, and from willing strangers all over the world have been the true source of my education.
But what I will do is I'll acknowledge it and if it can be of any help the fact that I do acknowledge it then maybe other people will benefit from it because I do have somewhat of a public forum being in the line of work I am.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
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