A Quote by Peter Paige
One of the things we try to do on 'The Fosters' is shine a light on the problems and the people that get pushed to the periphery. From the very beginning of the show, when we told people we were putting foster care at the center of a TV show, even the people who work in the system were afraid.
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When you're on stage performing stand-up, things only happen one time. I've done bits where I improv a joke, and people are dying. The next show, I try to repeat it, I can't do it. Because with the first audience that was our moment. It can't happen the same way again. We were all there: a certain type of people were at that show and we all got it.
Every single job I do. It sounds goofy but I did a music video for Fergie. I was in full on tattoos, ponytail, but it's like even things like that they help other people to see you in a different light. They give me opportunities. I try and change the image with every job that I can, it's just hard when you work on a TV show and you work so many months and trying to get away from that.
I post less-than-flattering selfies and don't try to change who I am to make people like me. I try to show people that they don't have to be afraid to show their goofy side.
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
We hoped to get a TV show, and we almost did, but 'The State' beat us out for this MTV show. So because they were there, and 'SNL' and 'Kids in the Hall' were there, we thought, 'Let's go try to do what Python did, and instead, let's make movies.'
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
When you had the World Trade Center go, people were put into planes that were friends, family, girlfriends, and they were put into planes and they were sent back, for the most part, to Saudi Arabia. I would be very, very firm with families. Frankly, that will make people think because they may not care much about their lives, but they do care, believe it or not, about their families' lives.
The bias against the show is purely elitist. We're all like the people on the show - the difference is that some of us speak better, or were born richer. There's nothing that happens on my show that rich people don't experience.
I would say we had two goals when doing this CD. The first goal is to introduce people who have never seen the show before to the best comics that are on the show. And goal number two is to introduce people that they never heard of before and give you a bit more flavor of what the show is actually like. And those goals are very much in line with the philosophy of the show from the very beginning. It's the very best people who are out there.
It doesn't matter if it's a school play or a dumb TV show. It's your work. You should care about it so much that people get annoyed with you.
The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.
Doing this web show - people underestimate what it takes to do a web show successfully. They underestimate the amount of work that you have to do to get it to your audience after it's made. I think you have to work so much harder, especially if you don't have a huge budget. You have to know how to get your audience engaged, because the Internet is so distracting, and there are so many choices. People, even if they love your show, will forget to go back for episode four, because you know, people are busy.
I think the people like myself who are in the center ground of politics and who think that center left and center right can cooperate and work together. Who don't like this sort of insurgent populism because we think it's not really going to deliver for the people, I think there's a big responsibility on us in the center to get our act together. And to work out radical but serious solutions to the problems people face.
You often hear that people go into show business to find the love they never had when they were children. Never believe it! Every comic and most of the actors I know had a childhood full of love. Then they grew up and found out that in the grown-up world, you don't get all that love, you just get your share. So they went into show business to recapture the love they had known as children when they were the center of the universe.
The people at home don't care what your problems are. They just know that you're doing that show and you're supposed to do the best you can do. It's not a 9-5 type of job. I've considered myself very lucky to do that kind of work.
The people who run Hollywood are supposed to be masters at creating drama, suspense, thrills - at putting on a great show. If we knew not only who the winners were but also by how much they won, the Oscar show could actually be the Super Bowl of movies.
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