A Quote by Peter Paul Rubens

Painting a young maiden is similar to cavorting with great abandon. It is the finest refreshment. — © Peter Paul Rubens
Painting a young maiden is similar to cavorting with great abandon. It is the finest refreshment.
And when once the young heart of a maiden is stolen, The maiden herself will steal after it soon.
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
My biggest inspiration was always early Iron Maiden, because it was the only band I knew for some time, and, as we all know, Iron Maiden is great.
But even considering these, I have great confidence in our young people as a whole. I regard you as the finest generation in the history of the Church. I compliment you, and I have in my heart a great feeling of love and respect and appreciation for you.
You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
The eye of a man should be still more reverent before the rising of a young maiden than before the rising of a star. The possibility of touch should increase respect. The down of the peach, the dust of the plum, the radiated crystal of snow, the butterfly’s wing powdered with feathers, are gross things beside that chastity that does not even know it is chaste. The young maiden is only the glimmer of a dream and is not yet statue. Her alcove is hidden in the shadows of the ideal. The indiscreet touch of the eye desecrates this dim penumbra. Here, to gaze, is to profane.
I was always interested in drawing and painting. I enrolled in college to study painting. But I didn't have any livelihood when I graduated. My mother died very young, and I didn't have any home, so I had to find a way to earn a living. It seemed to me that photography - to the great disappointment, I have to say, of my painting teacher - could offer that. So I went and did a degree in photography, and then after that I could go out and get paid for work. For portraits, things like that.
Many great ideas need refreshment and deeper analysis. "Freedom," for example, is a great idea but it has become a cliché.
My great-great-great-grandmother walked as a slave from Virginia to Eatonton, Georgia... It is in memory of this walk that I chose to keep and to embrace my "maiden" name, Walker.
Great men wait for the right moment to abandon caution. The rest of us abandon it when impatience becomes too much for us.
One learns about painting by looking at and imitating other painters. I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting. There is no other way to find out about painting.
You are great young people. I have said again and again, we have the finest generation of young people ever in the history of this Church. I believe it. You know the gospel better. You come to seminary and you learn about the things of the Lord here. You know more about the gospel than those of my generation at your age did without any question. I am satisfied of that. Furthermore, you are intrinsically better. You are wonderful young people!
Good painting is nothing else but a copy of the perfections of God and a reminder of His painting. Finally, good painting is a music and a melody which intellect only can appreciate, and with great difficulty.
While mantling on the maiden's cheek Young roses kindled into thought.
Each part of a great painting should in itself be a great painting.
I liked painting, very early on, even more than drawing. I used poster paint on posterboard. I would copy images that I liked from magazines and books and combine them to make a "collage" kind of painting. In some ways, this is similar to how I work today.
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