A Quote by Peter Riegert

You realize Shakespeare wasn't stuck for an idea when he said, 'All the world's a stage.' — © Peter Riegert
You realize Shakespeare wasn't stuck for an idea when he said, 'All the world's a stage.'
I believe it was Shakespeare who said, 'All the world's a stage, and you are CRAP!'
Once an actor told me he went to the Shakespeare School of Acting, and I said, 'I went to the Shakespeare of Acting, too' and he said, 'Oh really?' And I said, 'I went to Shakespeare Elementary School in Chicago.' He didn't take the joke well, he didn't laugh and didn't think it was funny - I thought it was funny. It's all the same to me.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
I remember the will said, 'May God thy gold refine.' That must be from the Bible." "Shakespeare," Turtle said. All quotations were either from the Bible or Shakespeare.
It’s literally true, as Shakespeare said--all the world’s a stage. It wasn’t that way when I first got into the movies in 1924, but it is now. That’s why I find Hollywood newer and more exciting every day. Whatever you hear it’s still a place where a kid from Montana can jump on a horse, ride that-a-way, and keep right on going.
The economic analysis of law has had many good ideas. It's had one great idea -like, world-transforming idea, I think. And the idea is, when you're stuck, minimize the sum of the costs of decisions and the costs of errors.
The stage can be defined as a place where Shakespeare murdered Hamlet and a great many Hamlets murdered Shakespeare.
I've never taken a script to the stage or to principal photography and said, "This is perfect. This is as good as it can possibly be." It's not Shakespeare, you know; you know it can probably be better.
In many ways, 'William Shakespeare's Star Wars' is modeled on Shakespeare's Henry V, which relied on a chorus to explain in words the battles of Harfleur and Agincourt that could never be captured on the Elizabethan stage.
Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage.
I'm one of those people that feels that Americans that shouldn't do Shakespeare... The rhythms of the English language and the mannerisms of the English speech seems to work effortlessly with William Shakespeare, but when Americans do it, something seems stuck.
You look at these past predictions like there's only a market in the world for five computers [as allegedly said by IBM founder Thomas Watson] and you realize it's not a good idea to predict too far into the future.
The world was to Shakespeare a great stage of fools on which he was utterly bewildered. His pregnant observations of life are not coordinated into any philosophy.
The first time that I appeared on stage, it scared me to death. I really didn't know what all the yelling was about. I didn't realize that my body was moving. It's a natural thing to me. So to the manager backstage I said, "What'd I do? What'd I do?" And he said, "Whatever it is, go back and do it again."
A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.
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