A Quote by Peter Riegert
I apply the three gag rule, which is if I can read a script without gagging more than three times, then maybe I can say yes to this job.
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As a rule it usually takes three or four readings for me to be interested in a script, and if I'm interested I'll read it three or four times before I make a strong decision
As a rule it usually takes three or four readings for me to be interested in a script, and if I'm interested I'll read it three or four times before I make a strong decision.
When in doubt, the rule of threes is a rule that plays well with all of storytelling. When describing a thing? No more than three details. A character's arc? Three beats. A story? Three acts. An act? Three sequences. A plot point culminating in a mystery of a twist? At least three mentions throughout the tale. This is an old rule, and a good one. It's not universal - but it's a good place to start.
I call it the Rule of Three. If you read a company's financial statements three times, and you still can't figure out how they make their money, that's usually for a reason.
On 'Lab Rats,' I read the script probably three or four times before we ever even do a table read because I want to be completely prepared. And I want to know exactly which beats I have to hit and where I need to make something comical. Some lines need a little more than others do just to get the point across, to get the joke to be funny.
You've read half the books in this house? This whole house?" "Well, approximately half." Sticky said. "To be more accurate, I suppose I've read more like" - his eyes went up as he calculated - "three sevenths? Yes, three sevenths." "Only three sevenths?" said Kate, pretending to look disappointed. "And here I was prepared to be impressed.
The green-light meeting, when I first started at Paramount, would consist of maybe three or four of us in a room. Perhaps two or three of us would have read the script under discussion.
My first job was at Proctor and Gamble in Cincinnati, my second job was at a pharmaceutical company in Berkeley Heights, New Jersey. My third job was at Palmolive. And I realized, three jobs in three years, maybe it wasn't the job. It had to be me.
When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.
I feel like being an actor it is a great way to do your job and be a parent, because you have a lot of freedom. You have a job and then the job ends and than maybe you don't have another job for a while or maybe you chose not have another job for a while. For an actor, it's like maybe you don't see your kid for two weeks while you are filming but then you might have three months off where you are at home every day and picking him up from school. I find it's a great thing.
When I was sent the script for 'Homeland,' I didn't think anything of it. Three months later, my manager rang and said: 'They are interested in you.' I read it and I realised, 'Yes, I do want this.' Then I got an email saying I'd got it.
Did you know you can take your bus anywhere you want to go? Say yes three times with me. Yes, yes, yes. You can take it to the movies, the beach or the North Pole. Just say where you want to go and believe that it will be so. Because every journey and ride begins with a desire to go somewhere and do something and if you have a desire then you also have the power to make it happen.
The important thing is to abide by the rule of threes. Either you see a woman three times in quick succession and then never again, or you maintain relations over the years but make sure that the rendezvous are at least three weeks apart.
I acted three times with Fred MacMurray, three times with Martin and Lewis, four times with Rock Hudson. Three times with Glenn Ford.
Once I'm committed to a role, I will go very deep into it, even when I'm not at work. I'll keep on studying the script, maybe 40 or 50 times. I might call a scriptwriter at three in the morning to say I've thought of something new.
In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.
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