A Quote by Peter Robinson
I keep to a minimum dialect, in-jokes about football (soccer) teams and soap opera characters, so as not to lose North American readers.
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I grew up on North American sports teams as well as English soccer clubs.
Misery loves company. This is a Hollywood soap opera, and I'm not going to be a star in another Bryant soap opera.
When you work on a soap opera, that's three years of you working every day. There was no time to do anything other than the soap opera - you're locked in.
When writers are self-conscious about themselves as writers they often keep a great distance from their characters, sounding as if they were writing encyclopedia entries instead of stories. Their hesitancy about physical and psychological intimacy can be a barrier to vital fiction. Conversely, a narration that makes readers hear the characters' heavy breathing and smell their emotional anguish diminishes distance. Readers feel so close to the characters that, for those magical moments, they become those characters.
You can feel the same thing in football or soccer - that for the best teams in Spain and England, for instance, the public... they're not really going to cheer at all when they play against bad teams unless they do something spectacular. Even if they're winning by a few goals they'll probably just say, "nah." That's normal and they're not excited about it.
Soap opera seems to be a dirty word, but actually they are the most popular shows we have. People want to know what happens next, people hate the villains and love the lovers. It's good, fun TV. But I wouldn't call 'Downton' a soap opera as such.
I was playing this role on 'Ugly Betty,' the sweetest, nicest guy. He was a fun character to play, but I was in a Latin soap opera - where are you gonna go with a nice guy in a Latin soap opera?
I've always said, I prefer the opera to the soap - those extreme characters and circumstances.
I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
I've always enjoyed playing a little left of center characters. Otherwise I'd be on a soap opera.
The soap opera was so long ago - the thing about soap operas, and there's something to be said for doing it, but you do a script a day. I don't want to say it's a training ground; it really isn't, but what it does teach you is discipline.
There's a tipping point that happens with soccer in which you just kinda get it. I was drawn to it because the best soccer teams play similarly to my favorite basketball teams - like the eighties Lakers or eighties Celtics - teams that emphasized teamwork over individualism and relied on passing as their biggest ongoing edge.
The rest of the world loves soccer. Surely we must be missing something. Uh, isn't that what the Russians told us about communism? There's a good reason why you don't care about soccer - it's because you are an American and hating soccer is more American than mom's apple pie, driving a pick-up and spending Saturday afternoon channel-surfing with the remote control.
European teams have always shied away from South American football. They struggle to get to grips with it. The South American game is more technical and about keeping possession, while European football is more dynamic, physical and direct.
Since we travel a lot as a team, I spend a lot of time on a plane where I like to play 'Football Manager.' I have been a soccer fan since I was 5 years old, so to be able to manage soccer teams is a lot of fun.
The problem is whether we are determined to go in the direction of compassion or not. If we are, then can we reduce the suffering to a minimum? If I lose my direction, I have to look for the North Star, and I go to the north. That does not mean I expect to arrive at the North Star. I just want to go in that direction.
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