A Quote by Peter Sarsgaard
I just pick the best roles that are left over, and they usually aren't the heterosexual, leading-man, non-drug-addict parts. And once you get into doing them, people know you do them.
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Any of us are capable of doing things we're not proud of under the wrong kind of stresses. Anyone can become a drug addict if you let yourself do it and, once you become a drug addict, you'll do whatever you have to to get the drugs. Absolutely, anybody can do it.
Too many people believe they can control their drug of choice. But the drug is almost always in control. If an addict truly wants help, it is available, but it is a rocky path. The monster always calls. Never give an addict money. Clothe them. Feed them. But enabling them is the quickest path to watching them fade away completely. This may seem harsh. But I've watched my own child relapse, after six years sober. I love her. Always. But I can't help her die.
I love doing TV. It's such a breakneck pace, you know. It's kiss and go with your leading man. You meet them in the morning and go right into a clinch. The filming is over before you know their last names.
I love doing TV. It's such a breakneck pace you know. It's kiss and go with your leading man. You meet them in the morning and go right into a clinch. The filming is over before you know their last names.
I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.
You can get the best locksmith in the world to design the best lock he can design, is it pick proof? No, it's not: it can be very hard to pick, but it is pickable. Because you can get, say, the next 10 best locksmiths, and give them unlimited money and time, they will figure out a way to pick it.
Once you're an addict, you're always an addict, so just because I found something good to do doesn't mean I'm not going to hurt myself doing it.
It is difficult to feel sympathy for these people. It is difficult to regard some bawdy drunk and see them as sick and powerless. It is difficult to suffer the selfishness of a drug addict who will lie to you and steal from you and forgive them and offer them help. Can there be any other disease that renders its victims so unappealing?
A lot of actors get the leading role after doing a bunch of smaller things and people get to know them. I came out of nowhere.
When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.
It doesn't have the ability to think rationally this economic model. It thinks like a drug addict: 'Where can I get my next fix?' It doesn't learn wisely. Any kind of measure of natural wisdom would be: you make a mistake, you correct it the next time around. But a drug addict feels terrible... and then says: 'I want more'. Unfortunately we have an economic model that thinks like a crack addict.
To this day, I continuously get social media people tweeting doing 'Glorious Bombs' from all over the world. You have little kids doing them. You have moms doing them who have no idea what they're doing, but they're doing it. It's become one of those entertaining things.
The whole history of these books (i.e. the Gospels) is so defective and doubtful that it seems vain to attempt minute enquiry into it: and such tricks have been played with their text, and with the texts of other books relating to them, that we have a right, from that cause, to entertain much doubt what parts of them are genuine. In the New Testament there is internal evidence that parts of it have proceeded from an extraordinary man; and that other parts are of the fabric of very inferior minds. It is as easy to separate those parts, as to pick out diamonds from dunghills.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
Some of the supporting roles that I've done as an actor, I took them because I knew that I would get to watch some of the leading guys in the movies, and also I'd get to work with them.
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