A Quote by Peter Sarsgaard
I don't spend a lot of time judging anyone I play. Even if their function in the script is to be the villain, I concentrate on what their perspective of the events is. Not even to justify them.
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In television you don't have a lot of time to spend with the role or the script. Typically you get a script a week prior to shooting. Sometimes it's even less time, not enough time to dream about the role.
Something that's interesting is how my perspective on different events can change over time even though the events themselves haven't changed. As I get older, I interpret something differently, or I can even interpret a person differently.
A lot of actors say that no villain wants to be a villain, generally. They don't might being evil, maybe, but they have an agenda that they can justify. Otherwise, a little bit of that tension goes, if you're just a villain and everyone hates you because you're mean.
We really didn't devote a lot of time to investigating the scariest aspects of our flight. It was more challenging and productive to concentrate on the remedies, and leave things that couldn't be solved to happen without thinking about them. There is a morbid human curiosity associated with tragic death-producing events. Though naturally, this needs to be kept in perspective.
Villains can often be one note and I would say in that case, it’s not fun to play the villain. It’s fun to play the villain if he a) has dimension and b) the villain gets to do all the things in the movie that in life he would get punished for. In the movie, you’re applauded for them if you do them with panache. And so that’s why it’s more fun to play the villain.
There's a lot of research and time that goes into my shoots. I spend weeks on them, even for one picture.
To be a good director, you have to spend a lot of time on actual sets, but today, there's a lot of people who spend a lot of time in dark rooms writing a script, and they'll go in and tell the story to some suit at a studio who says, 'Okay, this is great, let's go.' But that doesn't necessarily mean you know what to do once you're on set.
I try to spend a lot of time with people outside my direct reports. The view from the top is totally distorted. If you only spend time with your directs, you have no perspective on what's really going on.
I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
I have always been very choosy, but as you grow older, your tolerance for crap becomes less. The role I will do today has to justify the time I take away from my kids and my husband. I love them, spend a lot of time with them and love doing things for them. So to go away for three to six months, I need something equally powerful.
I like to play board games a lot with my girl, things like that. We attempt to cook. And even if it goes wrong, it doesn't matter because it's the time you spend doing it that's important.
There are so many designers that I love, and I'm so lucky that I get to work with so many of them and sometimes spend time with them. As an actress, you get to go to these events and wear their things - it's fun, but it is what it is. I don't put a lot of time into it, but I respect what they do.
A lot of the changes are so gradual that they don't even qualify as news, or even as interesting: they're so mundane that we just take them for granted. But history shows that it's the mundane changes that are more important than the dramatic 'newsworthy' events.
We definitely needed to spend a good solid year just finding ourselves before anyone would even notice us. We had our fan-base growing around here in Los Angeles, but I wouldn't even have wanted anyone to come out to see us that was from a record label or something like that at that time, because we really needed to feel ourselves out as a live band.
I spend a lot of time idly. I go to sporting events, play my clarinet. I practise. But if you work every day, a certain amount on a steady basis, the work accumulates.
Do not personally give any more conscious consideration, either of you, to events that you do not want to happen. Any such concentration, to whatever degree, ties you in with those probabilities, so concentrate upon what you want, and as far as public events are concerned, take it for granted that sometimes even men are wiser than they know.
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