A Quote by Peter Sarsgaard

I frequently gravitate toward characters that have some urgency or soul. — © Peter Sarsgaard
I frequently gravitate toward characters that have some urgency or soul.
I don't know if women gravitate toward me, or I gravitate toward them.
I think when you're a bigger star you get many good scripts sent to you, and you have to choose which one you're going to gravitate toward, but I just try to gravitate toward the best-written one that's been thrown my way after a lot of girls have passed on it.
My attitudes aren't directed toward characters at all. I don't feel sympathetic toward some characters, unsympathetic toward others. I don't love some characters, feel contempt for others. They have attitudes; I don't.
I definitely gravitate toward characters that have a lot of integrity and it's so important to be to be working on shows that tell great stories.
Whether lyrically or musically, it reaches in there and grabs your soul. That's the stuff I gravitate toward.
I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
I just always gravitate toward the kind of characters or people that maybe you don't want to talk to for a long time at a party, but you do like to watch what they're doing.
I've been very lucky with the roles that I've played in that they were wonderful roles for women. They're incredible, flawed characters that I really gravitate toward. I just never want anybody to be able to put me in a box.
People do not drift toward Holiness. Apart from grace-driven effort, people do not gravitate toward godliness, prayer, obedience to Scripture, faith, and delight in the Lord. We drift toward compromise and call it tolerance; we drift toward disobedience and call it freedom; we drift toward superstition and call it faith. We cherish the indiscipline of lost self-control and call it relaxation; we slouch toward prayerlessness and delude ourselves into thinking we have escaped legalism; we slide toward godlessness and convince ourselves we have been liberated.
That's how I am and how I've always looked at the world. I understood what the pavilions were before I came to Venice, and I knew that wasn't going to be enough for me. I wanted to extend this conversation into something I call urgency. There is urgency with people in crisis. Some communities - often the black community - just live in this urgency.
I gravitate toward contemporary art. I love great paintings, sculpture, photography, some video art.
I tend to gravitate toward people who are a bit more eccentric and creative and artistic in some ways. And I like bringing disparate kinds of creative people together to create some great work, even to share points of view on a new direction.
The last, best fruit which comes to late perfection, even in the kindliest soul, is tenderness toward the hard, forbearance toward the unforbearing, warmth of heart toward the cold, philanthropy toward the misanthropic.
I do gravitate toward 19th century writers, and I never mind being compared with some of the most memorable writers from that era. I mean, George Eliot is my absolute heroine.
After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.
I gravitate toward women.
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