A Quote by Peter Sarsgaard

You want to do something, you want to have the bravery to do something original. And there will always be people who are like, the classicists who are like, 'No, but it's got to have this.' In life, there are people like that attached to every single thing that there is. These are the same people that are like, still playing vinyl.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
...people will go for anything they don't understand if it's got enough hype. They want to be hip, want always to be in on the new thing so they don't look unhip. White people are especially like that, particularly when a black person is doing something they don't understand...That's what I thought was happening when Ornette hit town.
I've got a few reasons why I've got to maintain stability. I've got into wanting people to hear my music. I've got something I want people to hear because I know they'll like it. They've gotta like it! The songs I've been writing are the sort of things you have to like.
If I see something in somebody, if it's something similar in my shot, I feel like it's the same type of thing in life. People who tell you what to do all the time or have all the answers for you, it's like, 'OK, whatever.' But if you've gone through something in life, you can speak to something a little more.
Having a persona people recognize, it's the thing that probably gets you paid the most - but it's also the thing that virtually every actor in the world doesn't want. 'Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.
Saying that something is accessible gives it this implication that people need something, and thinking that we know what people need or want is really unpleasant. I don't like to think that way, like, predicting what it is that the people want.
In high school I was worried about singing in a choir not being a cool thing, like "I want girls to like me so I don't want to do something that's not cool." But, in fact, if you do something you like to do and you're good at it, you're going to find someone who will like you for that reason.
When something is discovered by people in movie theaters, it's discovered by people who are all together, and there's a sort of feeling of an event about it. And when it's on video, it's like something is being discovered in the library or something. It's like having a second life in public libraries. It's just like individuals, and it's less of a... We can't participate in it the same way.
People want something that's relevant to their lives. They want something that means something to them, and they want something where it seems like people have thought about what they're saying.
I don't want to be little again. But at the same time I do. I want to be me like I was then, and me as I am now, and me like I'll be in the future. I want to be me and nothing but me. I want to be crazy as the moon, wild as the wind and still as the earth. I want to be every single thing it's possible to be. I'm growing and I don't know how to grow. I'm living but I haven't started living yet.
I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.
I like to make people laugh. I like that kind of silly stuff. For me, it's a natural thing to want to do something like this.
My books are about ordinary people, like you, me, people on the street, people who really have an expectation of reasonable happiness in life, want their life to have a sense of security and predictability, who want to belong to something bigger than them, who want love and affection in their life, who want a good future for the children.
I don't really understand it even now, It does have an angle which is attached to something quite primal in girls. I guess people want it to define them, like 'I'm a Twilight fan.' That's crazy to me. I think people really just like being part of a crowd. There's something just tremendously exciting about hyping yourself up to that level.
Instead of playing something heavily, I play it lightly. Since people like to cast cyclically, once you've done one thing, people want to put you in that bag again. And since I want to work, I let it happen.
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