A Quote by Peter Schjeldahl
Art is always subject to change in a moment by somebody who's strong enough to shed new light on it.
Related Quotes
It always surprises me how much my followers appreciate how candid my photos are - they may not have a particularly unique subject, but it's more about the light you shed on the subject than the subject itself.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject but they are enough to understand it. SO for more than 60 years I have kept studying one subject at a time.
It's the subject matter that counts. I'm interested in revealing the subject in a new way to intensify it. A photo is able to capture a moment that people can't always see.
I like intersections. They're the nature of New York, and there's always the possibility that when you're at one you can meet someone new. Have I ever met anyone new at an intersection? No, but I like the idea of it. I like cities because if you're stopping on the corner to wait for a light to change, there's the possibility that you and somebody else can talk. And if you and that somebody else start to talk, then you can start to argue, and if you start to argue, you might start a revolution.
The darker the subject, the more light you must try to shed on the matter. And vice versa.
In my paintings, the question on whether figures are similar or not is not of any importance, the slightest change of figure or color can create a new painting and it doesn't really matter if a subject is revisited by an artist repeatedly. With enough time in between paintings, an artist can always bring to it something new.
I always wanted to play music, but my family was more interested in handing me paints and markers. Art was always my favorite subject in school, and I can remember staying up all night drawing as a small child. My expression via art was extremely strong as I grew and hasn't stopped.
She wished she hadn't succumbed to irritation. Because she wanted to know about his inner feelings. She always thought people were like pieces of art glass-- strong enough to handle and use, delicate enough to shatter under a strong blow, and filled with swirls of color that fascinated the eye. But while most people--and most glass--allowed light through, she could discern nothing of Devlin's heart and soul through the smoke and mirrors he held before him.
To paraphrase the philosopher Nietzsche, he who has a strong enough why can bear almost any how. I've found that 20 percent of any change is knowing how; but 80 percent is knowing why. If we gather a set of strong enough reasons to change, we can change in a minute something we've failed to change for years.
I'm not strong-willed enough or unkind enough... or maybe simply not wise enough to tell a journalist that a subject is out of bounds.
The prescription is that the subject must be made to show new aspects of itself; to prompt new questions; in a word, to change. From an unchanging subject the attention inevitably wanders away.
Humanity looks to works of art to shed light upon its path and its destiny.
Art is the retelling of certain themes in a new light, making them accessible to the public of the moment.
History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions.
I think we've always, as a species, been fascinated with stuff that we don't understand. Anytime someone can shed light on that, whether it's legit or just somebody's fantasy of what that stuff is, I think people take notice.
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