A Quote by Peter Schjeldahl

I have painted enough to have a lot of respect for mediocre painters. It's really hard. — © Peter Schjeldahl
I have painted enough to have a lot of respect for mediocre painters. It's really hard.
I have said this many times, that there seems to be enough room in the world for mediocre men, but not for mediocre women, and we really have to work very, very hard.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
There's mediocre jazz, mediocre salesmen, mediocre golfers. If you want to be good, you have to really hone your skills.
When you talk about painters and you talk about painters painting masterpieces, there is no painter who painted only one painting and that was a masterpiece. You have to do a whole bunch of paintings to get to the place of mastering your craft.
I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England.
Art always used to involve spirit. Painters painted spirit. They painted by commission things to go into churches, and that was painting spirit. Or they would paint people of wealth, and they would try to show how they had power, and again, this is sort of spirit.
Who was that?” I whispered, as if the walls could hear me. They were lined with pictures, a few of which I recognized as being painted by master painters. “Rhys.” “Yeah, I know but… is he my brother?” I asked. I had already decided that he was foxy, so I really hoped that he wasn?t.
In December 1989, my mother died very suddenly, and that sparked a re-evaluation of what I was doing, and I realized I was mediocre at everything. I was a mediocre IBM employee, I was a mediocre entrepreneur, I was a mediocre artist. I decided that, although my mom wouldn't be around to see it, I wanted to be great at something.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
When we founded Facebook, we put a lot of hours into it and worked hard every day. 'The Social Network' painted this picture that we were partying all the time, when really we only attended 2 or 3 parties during Facebook's first year.
We'll only really know we've succeeded when a mediocre woman does as well as a mediocre man. You shouldn't have to be extraordinary. That's the point!
Perhaps it's true that I'm very hard on myself, but that's better than exhibiting mediocre work... too few were satisfactory enough to trouble the public with.
There are a lot worse things you can do with all your bucks than giving them to even a mediocre mutual fund - such as, for example, giving them to a mediocre hedge fund. If supporting the lifestyle of a mediocre fund manager is your favorite charity, who am I to stop you?
Would that there were an award for people who come to understand the concept of enough. Good enough. Successful enough. Thin enough. Rich enough. Socially responsible enough. When you have self-respect, you have enough.
One day, in the San Francisco walk, he came upon some badly painted figures and observed that good painters imitate nature but bad ones vomit it forth.
Most painters have painted themselves. So have most poets: not so palpably indeed, but more assiduously. Some have done nothing else.
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