A Quote by Peter Schjeldahl
There's art that I would readily buy if I could afford it, and enjoy, but would never write about because it doesn't seem significant.
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The relationships of our present social life are so numerous and so interwoven that a child placed in the most favorable position could not readily share in many of the most important of them. Not sharing in them, their meaning would not be communicated to him, would not become a part of his own mental disposition. There would be no seeing the trees because of the forest. Business, politics, art, science, religion, would make all at once a clamor for attention; confusion would be the outcome.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
'Places to Go' is something that I would never normally write because I would usually be worried with what people would think about me.
My art and my creativities were totally something that was of my own heart and mind. I could never let anybody dictate to me what I should write and how I would write it.
Mom used to walk with me for something like two or three miles to get to the day-old bakery. They had those machines where you buy doughnuts, those vending machines with the long johns and doughnuts. We would buy those bagels and pastries because that was our treat. And come back with shopping bags of these sweets, and who knows what was in it? That was what we could afford that could feed that many people.
And there, in that phrase, the bitterness leaks again out of my pen. What a dull lifeless quality this bitterness is. If I could I would write with love, but if I could write with love I would be another man; I would never have lost love.
When I got in trouble, my mom would make me read or write - I would have to write my name over and over and over again. It gave me great penmanship, but I also just liked to write. Every time I would go to the store, I would buy a notebook. I had thousands of them.
Doing fine, thank you, I would say, never knowing how to talk about what I do. If I could talk about it, I would not have to do it. I make art, sometimes I make true art, and sometimes it fills the empty places in my heart. Some of them. Not all.
Sometimes I fantasize about learning to write in Khmer. Because if I could write in Khmer, my perspective would be very different, because I'm both an outsider and insider and I see the writing in a different way. My description would be different from, say, a local writer.
I never want to produce anything that a family could not enjoy together. I never want to create art that would embarrass my own children later.
Political consequences have never really come into my thinking. I didn't think about it when we made 'Maurice' or when I said first I would co-direct and then write the screenplay of 'Call Me'. I was just making something I thought I would enjoy creating.
I mean somebody could write another book and say Brad's idea about Buddhism and sex is wrong, and here's mine, and that would be great. Just the fact that it would exist would be good because nobody is saying it, it's like they're trying to pretend it's not there.
To me that's part of my working day, and I would never refuse a job where I'm under several hours of makeup, because as an actor, I enjoy performing. It's about the creation of the character and the art to me, not about being comfortable and how long it all takes.
When I reached adulthood, even now, I could afford to belong to a country club. But I could never belong to a private club because of my experience as a child, because it would isolate me from the whole of humanity.
If asked to sketch a picture of the typical archer I would be hard put. They seem to come in all shapes, sizes, colors and backgrounds. Inwardly they seem to have in common a love for the outdoors, a reverence for wildlife, and a close tie with history. There is nothing they seem to enjoy more than telling tall tales around a campfire or talking about archery to others. It would be difficult to find a more interesting group of people.
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