A Quote by Peter Schmidt
One of the functions of art is to offer a more desirable reality - a model, as it were, of another style of existence with its own pace and its own cultural reference.
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Private property is a natural fruit of labor, a product of intense activity of man, acquired through his energetic determination to ensure and develop with his own strength his own existence and that of his family, and to create for himself and his own an existence of just freedom, not only economic, but also political, cultural and religious.
The 60's has its own particular style and I think setting film in a period enables you to create your own reality that the audience can escape into and have fun, and in a way make it more real than it actually is.
So I always respected the guys who were trying to do it on their own without taking a handout from a big organization. They were trying to create their own thing, the DIY style, which is sort of always been my style, kind of a makeshift survival mode and really just kind of forging your own path.
The more I get connected to my own breath and my own yogic experience and my own prayer and my own idea, the ideas that have existed for so long - that we all belong to each other and we could live a deeper spiritual existence - the more I get connected to that, the more I shun this world.
Whenever I wore it there were some questions whether the outfit was just too over the top. I'm like, "Do you know who you're dealing with here, and her eccentricities, her style, her flair?" These little things were sometimes those - I love it. I love having a real-life model. But I also do flush it out with my own personal experiences and my own essence, and hopefully they mesh together.
I do preach the idea of individualism as in not adapting any kind of style or model other than that one of your own. I always found it strange in art history when studying about the different guilds and movements. It sounded too contrived and having to follow devised parameters to create art. I personally am not a team player in that manner. The art should be labeled by the artist's name only.
Bound to seek recognition of its own existence in categories, terms, and names that are not of its own making, the subject seeks the sign of its own existence outside itself, in a discourse that is at once dominant and indifferent. Social categories signify subordination and existence at once. In other words, within subjection the price of existence is subordination.
Cross-cultural reality testing forces people to examine both their own and others' understandings of reality. Most people simply assume that the
way they look at things is the way things really are, and judge other cultures' views of reality before understanding them. These judgments are
based on ethnocentrism, which closes the door to further understanding and communication. Furthermore, ethnocentric judgments keep missionaries from examining their own beliefs and values to determine which of them are based on biblical foundations and which on their cultural beliefs.
I like to think there is something deep in our own world of reality that will create a dynamic balance between technology and human existence, the relationship between which has a decisive effect on contemporary cultural forms and social structure.
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
A painting has its own existence and reality, and I make changes freely to meet the painting's needs. This sometimes takes me in another direction.
I find increasingly that the more extreme are the things going on in your life, the more cultural reference points fail you. More mythical reference points actually help, and you realise that's what myths are for. It's for human beings to process their experience in extremis.
I find increasingly that the more extreme are the things going on in your life, the more cultural reference points fail you. More mythical reference points actually help, and you realize that's what myths are for. It's for human beings to process their experience in extremis.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
Bruce Lee's fast pace, Jet Li's pretty style and Jet Li's acrobatics combine with Muay Thai for my own style.
I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.
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