A Quote by Peter Scolari
It's more than sentimental for me to be working in theater in New York; it's very personal. I think it's a spiritual experience for me.
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I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
To me, theater is a spiritual experience. Probably the reason I do theater is it, I guess, comes the closest to feeling like God, or to feeling a spiritual experience that people can have together.
In terms of theater, there's not a more supportive theater community than in New York. It's really kind of a real thrill to go there. I mean, don't forget, I'm a boy from the suburbs of Sydney, so getting to New York is a huge, huge thrill.
It's funny: I kinda still float under the radar. I'm not tall like a New York Knick; I'm not a heavy, strong New York Giant or New York Jet. I blend in pretty well. A lot of people don't recognize me too many places. More men recognize me than women.
I have been to the theater more since I have lived in New York than I ever really did in London working on a television show.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
My return to the theater in New York was so specific. I didn't want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
I didn't do so well at 'Saturday Night Live.' It was a very hard experience for me, for a lot of reasons that have to do with the kind of person I am and the personal issues I had at the time. I was very alone in New York, and the show has a lot of stress related to it.
I think L.A. has one of the most innovative and forward-thinking jazz scenes in the world. New York definitely has the volume - there's more music happening in New York than anywhere else. But to me, L.A. - it's kind of a gift and a curse.
I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
Working and modelling in New York was definitely a life changing experience for me.
I think that even though some of the things on 'Humans of New York' are kind of very personal and very revealing, I think the discomfort with sharing that tends to be overwritten by the appreciation of being able to distill the experience of your life into a story and share it with other people.
I screen tested for 'The Tudors' in N.Y. That was my first experience of N.Y., being flown here to screen test with Jonathan Rhys Meyers. So I have very, very fond memories of New York - New York helped give me my first big break.
For some reason New York is the epicentre for people who hate me. Maybe this is another reason why I left New York but I get more hatred directed towards me there than any other place.
It was a weird moment in my life and a weird experience [doing a theater]. It made me think, "Gee, I don't know if I ever want to do this again." And I love theater. I love going. I love the experience of theater. But I am not sure it's for me.
I have come to accept that I'm a very spiritual person. However, it's interesting because part of me shies away from admitting that because I think that comes with assumptions. I think, when I was younger, I used to make judgments about people who were super spiritual. And I think it's a very personal subject.
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