A Quote by Peter Sculthorpe

I often wonder if I was destined to be a composer. I think I decided and I followed my star. — © Peter Sculthorpe
I often wonder if I was destined to be a composer. I think I decided and I followed my star.
Be persistent. Establishing yourself in this field could easily take years. Rarely will any composer get that one "big break." More often, success is built on hundreds - or thousands - of very small breaks. When I decided that I was definitely going to pursue a career as a film composer, I decided I was going to beat my head against that particular wall until something broke.
But I don't think I was ever destined to be a big star.
I dream of a collaboration that would finally be total, in which the librettist would often think as a composer and the composer as a librettist.
Wonder was the grace of the country. Any action could be justified by that: the wonder it was rooted in. Period followed period, and finally the wonder was that things could be built so big. Bridges, skyscrapers, fortunes, all having a life first in the marketplace, still drew on the force of wonder.
Men and women wonder if merely walking or driving justifies being followed, stopped, or questioned. This practice and the presumption of guilt so often associated with people of color must come to an end.
I started off with films similar to 'Blood Money' - intense, emotional dramas. But as is often the case, the industry and audience typecast me and I decided to break away. Hence, followed a spate of comedies.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
I have often read critical pieces where the critic said that what the composer was trying to do didn't come off. I have wondered what the critic meant if he didn't know what the composer was trying to do.
I fell into hip-hop right from the beginning. I was a teenager in the '60s, so I was putting all my pocket money into buying LPs. I followed the ascent of the Rolling Stones, the Beatles, and Stevie Wonder. I followed popular music very closely, and I've never stopped.
I was never destined to be a movie star, and I'm happy not being one.
Phrasing is the idea of finding sentences and using punctuation in speech. I often look at the score to see what's written in by the composer to see if I can find clues to those directions, like what direction did the composer have in mind, and I try to incorporate those things as much as possible.
I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach.
Past middle age, some friends suggested that I should have my eyebags removed, the deepening creases on my face stretched. I often examined my face in the mirror, imagining how I'd look if I followed the suggestion. I decided to retain the old mug. I was too familiar and comfortable with it. And the final hindrance: the cost.
Notes are part of life for any composer for hire. There's no way around it. I think anyone who has done even a small number of films as a professional composer gets used to that idea pretty quickly.
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