A Quote by Peter Serafinowicz

I don't think anybody would be interested in my memoir - and my memory isn't very good either! — © Peter Serafinowicz
I don't think anybody would be interested in my memoir - and my memory isn't very good either!
I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
I can be very snobby about fiction, especially contemporary fiction. I can be kind of overly demanding, I think. But this is, I think, a good time. A lot of fiction comes out right now. So, I like reading the memoir. I love memoir, the biography, auto bio.
I have never liked the memoir form because I tend to think that memory fictionalizes anyway. Once you claim that you are writing a narrative purely from memory, you are already in the realm of fiction.
I would be so mad if I saw something called a memoir, and then it was Mike Birbiglia. It would be so infuriating. It's like, 'Who is this guy, and why does he have a memoir?' David Letterman could write a memoir. Joan Rivers could. I'm just a nobody. I'm a comedian and a writer.
Although I write screenplays, I don't think I'm a very good writer. I'm very interested in studying cultures and social issues, but as an academic I don't think I would have been too successful.
A lot of my songs are very personal, always, but this one felt like a memoir. I almost called it Hallucinated Memoir. "Granny" is a hallucinated memoir. It's straight-up symbolism for my life, in many ways.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
People are either good or they're not. Religion doesn't make anybody good, I don't think.
I would never do a printed memoir. I've been asked to publish a memoir from years by different publishers and literary agents. I think it wouldn't be great for me because all I'd really want to talk about it music and I'd rather just play it.
I don't cook fancy every day. I don't think anybody can, nor would it be very good for you.
Memoirs are going to be problematic sells for a while, though, because even if memoir means "based in memory," right now, in the collective mind, memoir means "recovery." When my agent and I started looking at small presses the possibility for my book, I realized most small presses were not publishing memoir, because they don't want to be associated with the genre that Mary Karr calls, half-facetiously, "literature's trashy cousin."
In a memoir, I think, the contract implies a certain degree of truth. I think you have to be as true to your memory and your experience as you possibly can.
I don't think you would find any player in the Bundesliga who would say that they would not at all be interested. Chelsea would have been very interesting for me. You don't get a chance like that very often in your life.
Memory is revisionist, you know. 'The Houston Kid' was based on true things that happened. But I know - from writing a memoir that I've been working on for awhile - that reconstructing memory is revisionism.
I think parenting is one of the most important jobs, because you can hit two or three generations with the values in your house and the traditions you establish. But I don't think I'm very good at it, and I don't know anybody who thinks they're very good at it. Probably almost everyone gets an A in grandparenting, but in parenting, if you get a B- you're doing pretty good.
I think I'm very interested in people, in the way our minds work and how we navigate through the experience that is life. Very interested in people's struggles and their choices and their regrets and joys. I'm very interested in the human animal.
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