A Quote by Peter Shilton
As a goalkeeper you need to be good at organising the people in front of you and motivating them. You need to see what's going on and react to the threats. Just like a good manager in business.
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I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
I Need a Good Book I need a good story. I need a good book. The kind that explodes Off the shelf. I need some good writing, Alive and exciting, To contemplate all by myself. I need a good novel, I need a good read. I probably need Two or three. I need a good tale Of love and betrayal Or perhaps an adventure at sea. I need a good saga. I need a good yarn. A momentous and mightily Or slight one. But with thousands and thousands And thousands of books, I need someone to tell me The right one. -John Lithgow
Fashion is like a four-legged table: you need a good designer, a very good business manager, a good manufacturer, and a very good distributor. Without all the legs, table collapses.
I always like to meet the people I'm going to photograph. I need to have a conversation. I need to feel a vibe. I need to see what's going on in the person. I'm not just interested in physical beauty. I really need a personality.
So that's the biggest lessonsI've learned it is your dream, you do not need a business loan, you do not need the support of others, you need to do what you need to do and when you become, what do I want to call the word, like legitimate, when people see that you are real, then people will support you, but you can't ask them to take a risk on you.
Filling a need is not merely good business; it's a basic attitude towards life. If you see a need, do whatever you can to meet that need.
We need art as much as we need good works. You need it like food. You need it for inspiration to keep going on the days that your low. We need each other in that way.
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
I'm fine watching stuff on tape, to me casting is the most painful part of the whole process, it's like going on a horribly awkward date every five minutes for eight hours, and people come in and they'll be someone good but they're not right, and you want to tell them they're good, but it sounds like BS, and they're looking at your face to see how they did, what adjustments they need, and it's just so emotionally draining, and it goes on and on.
The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.
Beyond remembering me as a good goalkeeper or a bad goalkeeper, I just hope that people remember me for being a good person.
Children of color need a mirror to see themselves in. And then people who don't have that experience, they need a window. They need a really personalized way to see what people who are different from them are going through.
I do not need a producer. I need only a good production manager. I need only a man who will give me money.
It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.
When you first come to practice, you learn the guys. You're going to play with them for the next couple seasons. You just need to know what shots they like, how they run, how good a lead they are. You need to know your personnel.
To be a good artist, you need to be sensitive to the world around you, you need to be curious, you need to listen, you need to be willing to learn from people. A lot of great art is about people being moved by something or seeing something that stops them dead.
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