A Quote by Peter Sloterdijk

Gardens are enclosed areas in which plants and arts meet. They form 'cultures' in an uncompromised sense of the word. — © Peter Sloterdijk
Gardens are enclosed areas in which plants and arts meet. They form 'cultures' in an uncompromised sense of the word.
The first western gardens were those in the Mediterranean basin. There in the desert areas stretching from North Africa to the valleys of the Euphrates, the so-called cradle of civilization, where plants were first grown for crops by settled communities, garden enclosures were also constructed. Gardens emphasized the contrast between two separate worlds: the outer one where nature remained awe-inspiringly in control and an inner artificially created sanctuary, a refuge for man and plants from the burning desert, where shade trees and cool canals refreshed the spirit and ensured growth.
Everybody's got plants, but most are just growing weeds. The cultivated have greater gardens, finer and gaudier gardens.
Evidently the arts, all the visual arts, are becoming more democratic in the worst sense of the word.
Comedy, although it is not one of the fine arts - it's a vulgar art, it's one of the people's arts, it's the spoken word, the writing that goes into it is an art form - it's certainly artistry.
Bad Gardens copy, good gardens create, great gardens transcend. What all great gardens have in common are their ability to pull the sensitive viewer out of him or herself and into the garden, so completely that the separate self-sense disappears entirely, and at least for a brief moment one is ushered into a nondual and timeless awareness. A great garden, in other words, is mystical no matter what its actual content.
I believe that architects should design gardens to be used, as much as the houses they build, to develop a sense of beauty and the taste and inclination toward the fine arts and other spiritual values.
I was an arts kid in every form of the word you can imagine. I wanted to sing and dance and act - I wanted to do it all. At a very young age, I was put in performing arts schools where I got to do those things every single day.
The plants are principally kept in large pots arranged in rows along the sides of narrow paved walks, with the houses of the gardeners at the entrance through which the visitors pass to the gardens.
My favorite thing is landscaping. I love landscaping. And so what I'll do is, mostly I put language into search engines, and if I want to look, like, at tulip gardens, or, like, Georgian gardens, i love English gardens, how they're laid out. Japanese gardens, Asian gardens. So, I'm kind of a frustrated landscaper.
I am always more interested in people than plants. Nature doesn't make gardens, people make gardens. And the story of a garden is always the story of a person.
One must first seek to love plants and nature, and then to cultivate that happy peace of mind which is satisfied with little. He will be happier if he has no rigid and arbitrary ideals, for gardens are coquettish, particularly with the novice.
It should come as no surprise to readers of the MAPS Bulletin that psychedelic plants are used as a sacrament by many native cultures all over the world. It may not be so obvious that these same plants are often incorporated into the coming-of-age ceremonies of these various societies.
So man's insanity is heaven's sense, and wandering from all mortal reason, man comes at last to that celestial thought, which, to reason, is absurd and frantic; and weal or woe, feels then uncompromised, indifferent as his God.
We see that hyperactivity and reward areas are important when the bubble's rising. People getting caught up in it. We also see areas involving mentalizing, which means thinking about other people: Who's buying? Who's selling? Do they know something? We see emotional areas before the crash that indicate a sense of uncertainty or dread.
The arts have always served relationships between people of different cultures so well. In a way, the arts function as a very serious kind of ambassador.
All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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