A Quote by Peter Sotos
If you look at the publishers I've worked with, generally, they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and, almost always, less money than ideas.
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I think any workplace relationship is dangerous. That's been my personal experience. They haven't always worked out the best. But I know other people for whom it worked out great.
I'd worked at the White House for two years, and I'd read a bunch of White House memoirs because everybody who works at the White House, even for five minutes, writes a memoir usually not less than 600 pages long - and never without the word 'power' in the title.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.
We look back at the 1990 Clean Air Act amendments, where people screamed and hollered it's going to be too expensive, they couldn't afford it, and it wouldn't work. And it worked. It worked faster than people expected, at much less cost.
If you look at anybody who's had along career, if you look at the choices they've made - even if the movies haven't worked - they've always worked with great filmmakers.
I'd say any good set or any comedy that I've worked on, that's worked, has been comedians pitching ideas back and forth to each other. A lot of like, 'What if you say this? What about this?'
In the past the publishers I've worked with have been extremely generous. And in almost every case, have been people who believed in the work rather than the sales and marketing.
Once you've created an intelligence so smart, the real job of that intelligence is to protect itself from other intelligences becoming more intelligent than it. It's just kind of like human beings. The way you look at money or the way you look at the success of your child, you always want to make sure that as far as it gets, it can protect itself and continue forward. So I think any type of intelligence, no matter what it is, is going to have this very basic principle to protect the power that it has gained.
Of all the stars whom I worked with, I think Steve knew better what worked for him on the screen than any other. He had such a sense of what he could register, and that helped a lot in terms of shaping the character and the script.
I have not worked with farmers. I have not worked with prisoners. I have only worked with human beings. I didn't see anybody as anything other than that.
My books have been translated into various languages and sold in other countries, but I never have any contact with the foreign publishers and am so disconnected from that process that it seems almost imaginary. With 'How to Save a Life', I worked closely with Usborne editors and have been involved in the publicity.
No one in this world, so far as I know--and I have searched the records for years, and employed agents to help me--has ever lost money by underestimating the intelligence of the great masses of the plain people. Nor has any one ever lost public office thereby. The mistake that is made always runs the other way. Because the plain people are able to speak and understand, and even, in many cases, to read and write, it is assumed that they have ideas in their heads, and an appetite for more. This assumption is folly. They dislike ideas, for ideas make them uncomfortable.
I worked on Capitol Hill, I worked in the White House and I've worked in politics enough to be familiar with the basic broadstrokes of public policy.
Lenin is an artist who has worked men, as other artists have worked marble or metals. But men are harder than stone and less malleable than iron. There is no masterpiece. The artist has failed. The task was superior to his capacities.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
I used to work for Symantec AV: I worked as their in-house IT technician, and then I worked as specialized AV support, and then I worked for Hartford Life IT, in Dublin and London. I worked in IT from '99 through to 2007.
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