A Quote by Peter Steele
I don't believe in, and I am a devout non-believer, in playing new songs live if the subjected and pathetic crowd has not heard them before because I consider it like mass psychosis and genocidal.
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I want to make myself and the crowd happy by way of something different, and that makes things difficult. I'm never playing something that hasn't been released or no one has ever heard before because I care to deliver them what they were hoping to see from me. But also I play four or five songs that will definitely surprise them.
DJ-ing itself is not just about playing songs. The art of DJ-ing is presenting new songs to the crowd that they haven't heard before and creating a party vibe that's different than just listening to anybody's playlist. It's the only way to truly be big and respected in your craft.
The songs that are getting recreated by us or fellow industry friends are because these songs were gold in their time and needed to be heard even today. Remixing them is a way to make them popular to the youth of today who haven't heard them before.
I think looking at as, "Bands that release their music for free online only make their money from playing live," is not seeing the full picture. Maybe the dollars specifically come from shows, but people are coming to the shows because they heard the songs, they heard the songs because they are free on the Internet. It all builds into the same thing.
I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
My own personal tastes don't really have an effect on whether song is a parody target or not. But having said that, I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I'm working on them in the studio to possibly playing them onstage for the rest of my life. So I try not to pick songs that I know would drive me crazy.
Certain sincerely devout and spiritually advanced people believe that the God of their understanding helps them find parking places and gives them advice on Mass. Lottery numbers.
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
The songs of mine that don't work, the ones that I wouldn't consider playing live for instance, fail to integrate their idiosyncracies. It's not that they fail because they're boring, but because they overreach.
It'll be basically a live album, but it will also include songs, Judas Priest songs, the audience have never heard before, because we felt we wanted to give the kids something else, something they haven't already bought.
Too often, politics is like bad theater. The mass media simplifies stories and personalities into their most basic, digestible and familiar bits. Listeners prefer songs they have heard before, after all.
We were playing shows still when we wrote 'Phoebe' and 'Rock All Night.' We got to test those songs in a live setting, so it was nice recording them and knowing which ones really resonated with the crowd.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
I like America, where believers eddy around each other like currents of air. Even our atheists are devout! To be an American is to be a believer. I don't have much faith in institutions, but I still believe in people.
We heard the army before we saw it. The noise was like a cannon barrage combined with a football stadium crowd- like every Patriots fan in New England was charging us with bazookas.
So I usually call the songs when I get on the stage, according to what the crowd feels like to me. I can jump from 50 years ago to right up to now, and people will be familiar with the songs. And since we never do them the same way, it's a new experience.
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