A Quote by Peter Stormare

I started as a director, but I was too bored with actors. I preferred to act. — © Peter Stormare
I started as a director, but I was too bored with actors. I preferred to act.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
I put on 'Starstruck' for my kids, and they started getting bored. I was so upset, I took it off. They preferred 'Home Alone.'
I've always preferred actors who sing to singers who act in all the shows I've done.
I started out as a writer and a director. I started acting because I wanted to know how to relate to the actors. When people ask me what I do, I don't really say that I'm an actor, because actors often wait for someone to give them roles.
Everyone has their preferred stroller, their preferred crib, their preferred Moses basket. And they have advice on that too!
I started off as a director, so when I see other actors directing, it gives me hope that maybe they'll put me into that position at some point, too.
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
I know from teaching that actors want to act. Even the subtlest actors can do a little too much.
I know from teaching, that actors want to act. Even the subtlest actors can do a little too much.
The insane have achieved political respectability while the sane act too good for it all. The irrational celebrate while the rational act bored and above-it-all.
Ever since I was a little kid, I got bored, so I learned to sing, and I started singing lessons. And then anytime I was bored, I would start writing and start messing around on my computer, making beats. Then I got bored and started making YouTube videos; that changed my life in a big way.
There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director. In the end, you as a director, of course, are the captain on the ship.
Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
When I started crediting myself as writer and director, I saw that as a political act.
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