A Quote by Peter Stormare
When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots.
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This is ten percent luck, Twenty percent skill, Fifteen percent power of will, Five percent pleasure, Fifty percent pain, and a hundred percent reason to remember the name
I was the only one to work seven years with my uncle, who is quite a difficult guy. With him, it's not living, it's surviving. If he does 100 percent, you have to do 150 percent, to show you can do as well as he does.
The show is probably 60 percent improvising and 40 percent not. So there's quite a bit of it that we do have prepared and that part of it, you have memorized and you've rehearsed and you're prepared, just like any show.
If you give only 80 percent leadership, your dog will give you 80 percent following. And the other 20 percent of the time he will run the show. If you give your dog any opportunity for him to lead you, he will take it.
Whether it's viewers of the show or readers of my columns and books, I'm consistently impressed with their wit, humor and insight. That goes for about 95 percent of the audience. The other five percent are why the 'Delete' option and restraining orders were invented.
I always improvise with the crowd. Sometimes it will be a 50 percent show, sometimes 70 percent, sometimes it's almost a whole show where I wing it. It depends on my mood, the energy in the room. For sure, a portion of it is just kind of winging it.
When I sat down with the creators of the show [Longmire], back when we were first starting to do the pilot, Branch was not that interesting on the page. What really sold me on the show and the character was their vision for him. It took the whole first season to flesh him out.
That song [ "Proud of your boy" ] in particular, I sing towards the beginning of the show [Aladdin], and what it does is show his wants and needs at the beginning and what's motivating him and carry it throughout the show. It gives him layers and dimensions. He's a well rounded character and it's great.
For me, a show's a show. I try to put on the best show I can for whatever audience or time slot I get.
Whipping is fifty percent show and noise.
Show us your Christ, Lady, after this our exile, yes: but show Him to us also now, show Him to us here, while we are still wanderers.
My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.
Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.
I would say that fifty percent of my show is killer comedy.
The camera fails to capture the 'business' in show business! We typically will give 10 percent of our salary to the agent, 10 percent to the manager, and 5 percent to the lawyer, plus the publicist gets a flat fee, which needs to be budgeted for.
We blacks were the first people embracing Obama, long before the people at expensive fundraisers were supporting him. We gave him his first love, 96 percent of blacks voted for him in 2008. Yet today we are the number one in unemployment, with 16 percent of American blacks out of work.
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