A Quote by Peter Stormare

I came on board 'Clown' because it was a very simple story, and it was a very nice script and a very refreshing take on a kind of The Brothers Grimm fable, you know? — © Peter Stormare
I came on board 'Clown' because it was a very simple story, and it was a very nice script and a very refreshing take on a kind of The Brothers Grimm fable, you know?
My brothers are so amazing. My older brother Ryan, he is probably the most generous person I know in my life. He's the one that kind of helps me and guides me. All of my brothers help me to be grounded, so I really try to be like my brothers because all of them are so nice and very kind, and I look up to them.
I feel very blessed to have four brothers. My brothers always say, 'Oh, you know, we prepared you for the world of journalism. We prepared you for Arnold. We prepared you for everything.' And in a way they're right. Because you know, they take no prisoners. They were very tough.
I came in rather late in the casting process of Reaper. I believe they had all the other roles cast. They were having trouble finding the devil. They had seen almost 100 actors for the role. I got the script and I liked it - it was clever and witty and very, very funny, and a nice, fresh take on an old story. I went in and did a scene for the producers, the kitchen scene from the pilot where I'm cooking a chicken-fried steak. At the end of it, they all had a smile on their face, and they realized they had found their devil.
Pryce, a veteran of Brazil and Baron Munchausen and a longtime Gilliam friend, bristles at the word chaos when applied to the Brothers Grimm set.] Terry knows what he wants, ... He's very demanding, but in a positive and generous way. And if you're up to it, it's very exciting. If you're not, you fall by the wayside.
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
I think there's something in common with the OSS 117 movies. The big difference is there's no irony in this one. It's not parody. I tried to make it very simple. It's a simple story, but to be simple, it's very complex in the way it's done.
My dad is a very good sounding board. He's very, very smart. Both of my parents are very, very sharp, much smarter than I, I'm happy to acknowledge.
It's important that Oasis are rude about everybody and that they get drunk...Fair enough. It's nice, isn't it? But it's nothing to do with me. They came to see us in Manchester and they were very pleasant boys. Very nice. I'd like to see that as a quote. Oasis are very nice boys.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
I take his [Theodore Geisel] legacy very, very seriously. I know others may disagree because he's made such an impact on so many people that response to work becomes very personal, so people will have different points of view. But, at the core of this, I take the protection and the extension of his legacy very, very seriously. It's a very important part of my life.
When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.
People tend to try to find something to talk about Zuma. My surname is very nice and simple. Very simple, so they like pronouncing it all the time. So what's the problem?
I'm very picky when saying yes to a script. I take a very long time to decide myself because I spend a lot of time with this and so to take parts where I think I can take something from my life as well. It must be interesting for me.
The Duplass brothers do that so well - that very simple, very horrifically awkward comedy.
At MTV, it's very nice sometimes to be able to be very specific. Specificity really makes a news story interesting because you can color it in that personality.
I am sure," cried Catherine, "I did not mean to say anything wrong; but it is a nice book, and why should not I call it so?" "Very true," said Henry, "and this is a very nice day, and we are taking a very nice walk, and you are two very nice young ladies. Oh! It is a very nice word indeed! It does for everything. Originally perhaps it was applied only to express neatness, propriety, delicacy, or refinement—people were nice in their dress, in their sentiments, or their choice. But now every commendation on every subject is comprised in that one word.
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