A Quote by Peter Stormare
The best paycheck you can get as a producer and creator is when people are happy to be on the show.
Related Quotes
How is Hillary Clinton going to lecture me about living paycheck to paycheck? I was raised paycheck to paycheck.
I still have to work paycheck to paycheck. Being in show business doesn't indicate that you're a 'success,' in my opinion.
I realize how lucky I am to be able to go a couple months without a paycheck, but a lot of industry people go paycheck to paycheck.
I don't think there's any show that really escapes it: It's very rare that a creative producer stays with the show. As soon as the producer leaves, they cut the budget.
4Shbab has been dubbed Islamic MTV. Its creator, who is an Egyptian TV producer called Ahmed Abu Haiba, wants young people to be inspired by Islam to lead better lives. He reckons the best way to get that message across is to use the enormously popular medium of music videos. 4Shbab was set up as an alternative to existing Arab music channels.
What is an artistic picture? An artistic picture is very simple. The creator is not the producer. The creator is not the star. The creator is the director, the person who realizes the picture, like a poet, like an artist. The creator of the picture is free to do whatever he wants, how he wants to do it. That is an artistic picture.
What little reality television I've seen seems to be about economic desperation. Like the marathon dancing of the Great Depression, which should give us pause. People willing to eat flies and worms for a sum that is less than the weekly paycheck of the show's producer. I haven't seen "reality television" that is other than this kind of painful, sadistic exploitation of fit young people looking for agents.
When I was asked to write an article about what it was like to work with my husband on a TV show, I assumed it was because people thought it would be titillating. He's a creator/writer/producer, I'm an actress; there must be lots of gossip, in-fighting, maybe some crazy-sexy time on the set, right? Actually, it's pretty tame.
The best deal about being a producer is that unlike a director who has to go on the sets even if he doesn't get along with the actor, the producer has the liberty to remain behind the scenes.
The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
I live like most of the people in my district: paycheck to paycheck.
Earlier in my career, I needed to be the writer, casting director, set designer, leading man, and producer. I've been eliminating a lot of those jobs. I'm an executive producer right now. I still get to pick the best screenplays.
All workers, whether they are employed in the private or public sector, should avoid living 'paycheck to paycheck.' Studies show that every household wastes 10% or more of its salary or income on unnecessary expenditures or by not taking the time to shop for better prices. It's all a matter of proper budgeting.
You know, last season I didn't do anything on the show, so I was frustrated. I mean, don't get me wrong: It's nice to get a paycheck. But if you don't really do anything it's not very satisfying.
Your parents only want what's best for you. They know a career in the arts usually means living paycheck to paycheck; they just want you to know that you have other options!
I'm inordinately proud of Smash, on so many levels. The complexity of producing that show, every week, is just incredible. As a television producer and as a Broadway producer, which I once was, I am in awe of what we can do on that show, every week.
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