A Quote by Peter Straub
You cannot overestimate the role of intuition in fiction writing. Or the role of accident or randomness. These things are very central. This is never really admitted. You have to cover the pages. You have to have those people do things. And the things they do have to be relevant to the entire concern. The specific things they do don't much matter, you just have to have them do something that counts.
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Email is a wonderful thing for those people whose role in life is to be on top of things, but not for me: my role is to be on the bottom of things.
It's usually the exact same three things which are, the Scripts, the Director and the Role those are the three things I look for and really any two of them, If I get two of them that's usually enough, but definitely those are the things I look for.
You do sometimes have to work on things where you love the cast and you love the filmmaker, and the role might not be great but it's fun. I'm totally down to do those things, and will continue to do those things, as well, but it at least has to be peppered with roles that are really interesting and that are hard.
Email is a wonderful thing for people whose role in life is to be on top of things. But not for me; my role is to be on the bottom of things. What I do takes long hours of studying and uninterruptible concentration.
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My feeling is that it's one of the very few things that comics can do that you really can't do in any other medium. I feel like the reader accepts all of these styles, and after a certain point you can flip the pages and see a character rendered very differently than you saw on an earlier page, and it's not jarring. It suggests things that you can't suggest just in the writing or in the plotting.
The accidents are things that audiences always remember most, I've found on my own movies. The things that they like the most are the things that were just by accident. So you have to create a situation where nothing but accidents can happen the entire time.
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No matter how much good things are going on around you, you still have them little negative things that just wanna come out in front. But you bottle them in because you have so many other great things, but they still there.
It's fun to do something different. And there are things you can do in a small palate that you can't necessarily do in a larger role. You can go a little further and do things you could never pull off for any length of time, but you can do for the short run.
The imporant things in life never happened by accident. But even with those things that were meant to be, sometimes you had to wait awhile and then maybe give them a little nudge.
One of the things I love most about acting is just disappearing in the role, as much as I can. I think that's one of the things that intrigued me about it.
There are some things I cannot do as I did before the accident. Trying to do them the same way was impossible, and I was getting frustrated. Then one day I said to myself that I had to relearn those things and do them in a different way and see what was possible, and how it could be achieved.
Few things are as encouraging as the realization that things can be different and that we have a role in making them so.
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The great thing about string quartets is the players are kind of like family. They work really well as a unit, so you can write things that let them use those talents of association and intuition-all the things they’ve developed together as a group.
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