A Quote by Peter Sunde

I'll live with whatever sentence I'll get in the end - I'll just finish my book. — © Peter Sunde
I'll live with whatever sentence I'll get in the end - I'll just finish my book.
I finish the book so I can see how it's going to end. I write that first sentence, and if it's the right first sentence, it leads to the right second sentence and three years later you have a 500-page manuscript, but it really is like going on a trip, going on a journey. It's a voyage.
The only way [the book can be written] is to set the unbook-the gilt-framed portrait of the book-right there on the altar and sacrifice it, truly sacrifice it. Only then may the book, the real live flawed finite book, slowly, sentence by carnal sentence, appear.
Every time I finish a book, it's my favorite. I have a lot of favorites. I did just finish Jane Eyre and it was fabulous. I didn't want it to end.
I fear dying in the middle of a book. It would be so annoying to write 80,000 words and not get to the end. I'm phobic about it. So when I'm writing a book I leave messages all over the house for people to know how the story ends, and then someone can finish it for me.
Life is like a book son. And every book has an end. No matter how much you like that book you will get to the last page and it will end. No book is complete without its end. And once you get there, only when you read the last words, will you see how good the book is.
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
You start at the stupid end of the book, and if you're lucky you finish at the smart end.
I'm the final clause in a periodic sentence, and that sentence begins a long time ago, in another language, and you to read it from the beginning to get to the end, which is my arrival.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
An album is like a book or a diary or a snapshot... It just feels so like the end of a chapter when you finish one.
When I finish a sentence, after much labor, it's finished. A certain point comes at which you can't do any more work on it because you know it will kill the sentence.
Most authors liken the struggle of writing to something mighty and macho, like wrestling a bear. Writing a book is nothing like that. It is a small, slow crawl to the finish line. Honestly, I have moments when I don't even care if anyone reads this book. I just want to finish it.
The book doesn't end when you finish writing it.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
As we breathe and live, have a conversation, and you look in someone's eyes, and you see a sunset or have an argument or read a book or see a painting or whatever you do, it influences you. And as you live your art, it changes and grows just like you and your soul or whatever you want to call it. For me, it's never-ending, I call it "the organizer of chaos." That's what I do with this and I present it in a way that I dream. So basically, I'm just sharing my dreams with all of you.
I don't focus on how I'm gonna get the finish or how I would like to get the finish. I focus on just my game plan that I've gone over with myself, my coaches. If the finish comes it comes.
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