A Quote by Peter Temple

I suppose most crime writing is urban. There's not a lot... certainly not in Australia, people don't often set books in the countryside. — © Peter Temple
I suppose most crime writing is urban. There's not a lot... certainly not in Australia, people don't often set books in the countryside.
What's interesting to me is how many vampire/urban fantasy authors are writing young adult series as well, often set in the same world as their adult books, but focused on a younger audience.
I think there is a lot of crime caused by desperation, and it doesn't mean that people commit crime because they're poor, but certainly a lot of people who are poor commit crime and they might not if they weren't poor. You understand the difference there? That's not news, but it comes up when I hear people say poverty doesn't affect crime - that crime is still going down in America even though the economy is bad.
A lot of people have read the Mira Grant books who are not urban fantasy readers, and they would never have picked up a book with an urban fantasist's name on the cover, but then they go on to read my urban fantasy and like it.
Writing has certainly helped me explore about 20,000 versions of my authentic self. I suppose that's what most writers discover if they write long enough: there are a lot of selves roaming around in there.
The premature migration of very large numbers of people from rural areas to urban areas can give rise to a lot of strains to the urban infrastructure, which can also create problems of crime - law-and-order problems.
That's one of the things I miss most about Australia - the countryside.
Perhaps I can also add something about the rural setting of Remember You're a One-Ball! The countryside is a place - in mythological and perhaps in very real terms - of mixed innocence and sin. It is seen by townsfolk as idyllic, lazy, free of urban crime and social problems. But those who grow up in the country can tell stories that often surprise those who grow up in the towns.
Urban artist have to face the stigma not only from white Australia but black Australia too; that's horrific when people say that their art isn't "Aboriginal" if it doesn't have dots or lines or moieties in it.
I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.
Most of my books are set in the American Midwest, where I have always lived. Midwesterners are lovely, down-to-earth people. The luxury of choosing this region as a setting is the endless supply of seasonal change images that accompany it; in addition to, the wide variety of settings, urban and rural, to choose from.
I've always been fascinated with the stealing of innocence. It's the most heinous crime, and certainly a capital crime if there ever was one.
Writing books that people want to read is helpful - my most successful book is my only police procedural, a very popular subgenre of the very popular crime fiction genre.
When I was in the sixth grade my friend and I always won writing contests, and we read a lot of books. We were always the ones that read the most books in class. I thought about writing but visual arts weren't part of my vocabulary.
I suppose directing on set is the most fun because it's a good crack and you feel you're on the battlefield whereas writing is a fairly solitary undertaking.
I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
A lot of the time in modern Britain, certainly in urban life, we barely have any contact at all with the people around us.
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