A Quote by Peter Temple
The real difference between literature and pulp is the kind of emotional responses they elicit. Dan Brown can't pierce your heart. Patricia Cornwell can't make you read a sentence twice and then look sightlessly out of the window.
Related Quotes
It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.
A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.
In general, my rule is find out where your heart is, then speak from the heart. People know the difference between that and something scripted.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
I grew up reading thrillers. Honestly, I was always drawn to the very detailed ones like Patricia Cornwell. I love details.
I look into your great brown eyes, where love and loyal homage shine, and wonder where the difference lies between your soul and mine!.
There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.
The difference between de jure and de facto segregation is the difference between open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.
Whatever sentence will bear to be read twice, we may be sure was thought twice.
Dan Brown, is a character from Foucault's Pendulum! I invented him. He shares my characters' fascinations - the world conspiracy of Rosicrucians, Masons, and Jesuits. The role of the Knights Templar. The hermetic secret. The principle that everything is connected. I suspect Dan Brown might not even exist.
Dan Brown is a character from 'Foucault's Pendulum!' I invented him. He shares my characters' fascinations - the world conspiracy of Rosicrucians, Masons, and Jesuits. The role of the Knights Templar. The hermetic secret. The principle that everything is connected. I suspect Dan Brown might not even exist.
You don't need to be able to string a sentence together in a way that is elegant or even vaguely meaningful to produce a bestseller - as Dan Brown has demonstrated time and again.
A sentence is like a tune. A memorable sentence gives its emotion a melodic shape. You want to hear it again, say it—in a way, to hum it to yourself. You desire, if only in the sound studio of your imagination, to repeat the physical experience of that sentence. That craving, emotional and intellectual but beginning in the body with a certain gesture of sound, is near the heart of poetry.
There's a difference between being able to make long distance phone calls cheaper on the Internet and walking around Riyadh with a PDA where you can have all of Google in your pocket. It's a difference in degree that's so enormous it becomes a difference in kind.
The difference between literature and journalism is that journalism is unreadable and literature is not read.
Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.
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