A Quote by Peter Tork

No, in 1968 I still wanted to be a Pop Star, and be about the music. Now, I want to be just about the music. — © Peter Tork
No, in 1968 I still wanted to be a Pop Star, and be about the music. Now, I want to be just about the music.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
I never minded being thought of as a pop star. People have always thought I wanted to be seen as a serious musician, but I didn't, I just wanted people to know that I was absolutely serious about pop music.
You want to embrace what the idea of pop music is. Not necessarily the stereotype of pop music; there was a time when you'd say 'pop music' and conjure up images of the Sweet, or Marc Bolan. That, to me, can be avant-garde still.
I was always into pop music, Destiny's Child, songs with catchy music. Even when I was writing when I was younger, it wasn't all about expressing myself; it was just about making fun music.
That's the thing: pop music has sometimes had a bad reputation for being about a lot of other stuff than the music. And I am just a lover of pop music. I love pop. I love big choruses. Dramatic choruses - they're the best thing in the world. And I do this because I love making music and performing the songs.
Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
I feel bad [about Lil Wayne going to jail], because I don't think anything like this has happened in music since Elvis got drafted into the Army. Let's just keep it real - Lil Wayne is not just the biggest rapper, Lil Wayne is the biggest pop star right now. Maybe Susan Boyle is on his level. But when you talk about music, nice times out of ten, Lil Wayne's name is gonna come into the conversation.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
I think pop music, for me as a kid, I hated school and ran home to watch Britney Spears videos. I just felt like I could forget about the stuff I didn't like about my life and listen to pop music and escape.
You can't please everybody, and basically I just decided to please myself first on this record. This record is more like my diary and I am expressing myself through my music. And that's what it should be about. That's why I didn't change my name or anything. It's not about the name; it's about the music. The old saying goes that video killed the radio star and it's very true. And now I'm just letting everything revolve around the music. There is no image; I am just being myself.
I've wanted to write good pop music, beautiful pop music - not just throwaways. I've always wanted to make it sound luscious and beautiful and cinematic.
The concept of what I want to do as an artist has not changed at all. When I was seven years old, I fell in love with writing songs and knew I wanted to make music and play it for a lot of people. Back then I said I wanted to heal people with music and bring them together. I called my music, "PAZZ," which means pop and jazz. To this day, all of those things still ring crystal clear.
Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.
What I really appreciate about the music that I grew up to is that I feel like I can put it on now and still hear something new. It's still relevant. That's how I want my music to be perceived. It's what I strive for.
My roots in electronic music go from weird glitch music to now what's seen as pop music. Electronic music is pop music now.
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