A Quote by Peter Turnley
Photographers do themselves a disservice by talking too much about the equipment they use. Consequently people don't take them seriously as creators in their own right. When people talk to writers about their work, they ask about their ideas and inspirations. When they talk to photographers, they ask about what cameras or film they use. That's wrong - as wrong as asking a writer what pencil and laptop he uses.
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Ask photographers to write and they have nothing to say; ask them to talk about their work and they won't shut up.
Writers kid themselves-about themselves and other people. Take the talk about writing methods. Writing is just work-there's no secret. If you dictate or use a pen or type with your toes-it is just work.
I think hip hop allows us to talk about everything, and Africa is what I choose to talk about now. If people are not talking about Africa, that's them, that's cool, there's nothing wrong with that. But this is who I am, this is what I have to say, this is what I have to offer.
Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.
With photography, everything is in the eye and these days I feel young photographers are missing the point a bit. People always ask about cameras but it doesn't matter what camera you have. You can have the most modern camera in the world but if you don't have an eye, the camera is worthless. Young people know more about modern cameras and lighting than I do. When I started out in photography I didn't own an exposure meter - I couldn't , they didn't exist! I had to guess.
People speak because they are afraid of silence. They speak mechanically whether aloud or to themselves. They are intoxicated by this vocal gruel that ensnares every object and every being. They talk about rain and fine weather; they talk about money, about love, about nothing. And even when they are talking about their most exalted love, they use words uttered a hundred times, threadbare phrases.
The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.
When people ask me about what I learned from martial arts, I don't talk about favorite punches or kicks, or about fights won or lost. I talk about learning self-discipline, about ethics and manners and benevolence and fairness.
Mostly, I would like people to ask other writers about the craft of their writing so we could learn from one another. We ask movie directors why they chose to use certain lights and angles and speeds of film, but most of the time, we ignore the craft of a writer.
A lot of my books deal with very controversial issues that most people often don't want to talk about, issues that, in my country, are more likely to get put under the carpet than get discussed. And when you talk about moral conundrums, about shades of gray, what you're doing is asking the people who want the world to be black and white to realize instead that maybe it's all right if it isn't. I know you'll learn something picking up my books, but my goal as a writer is not to teach you but to make you ask more questions.
People are always asking, "Is this person in front of me the same on the inside as he or she appears to be on the outside? Is there congruence between what's within that person and the words and actions I'm viewing and hearing externally?" Children ask that about their parents; students ask it about their teachers; parishioners ask it about their pastors and priests; employees ask it about their bosses; and in a democracy, citizens ask it about their political leaders.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
Ask others about themselves, at the same time, be on guard not to talk too much about yourself.
Why can't we have a voice? What's the difference between an athlete having millions or Donald Trump? Every time a politician talks, they talk about what's wrong with America. Well, he's an athlete who is also saying something is wrong with America. Why is it that when he talks, people say, 'How can he talk about oppression and make millions?' Well, Trump is talking about it. Hillary Clinton is talking about it. And they have more money than most athletes.
When you meet someone, ask about what hobby they have, not what they do. People always ask me about cooking, but I prefer to talk about tennis or boxing.
If you want to get to know somebody you don't ask other people: 'How is she?' You talk to the person herself. And then you don't ask about facts like 'date of birth' or 'profession of parents.' but you talk about essential questions and themes in life.
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