A Quote by Peter Ustinov
Robert Vavra is one of these artists, part magician, part alchemist, who is able to create a series of photographs in unforgettable compositions. Only visible are the dunes, the blinding fields of flowers and the vast sky, the epic intimacy of Robert Vavra's vision.
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I did like Robert Vavra's book not only for its so very good photographs but for the text as well. He's no ordinary fellow, obviously.
I am a great admirer of Robert Vavra and love his beautiful photographs and books. He is a wonderful artist, a poet.
During my lifetime I have met dozens of writers and photographers in dozens of different countries. But I have encountered no one who could both write and photograph with the artistry of Robert Vavra.
Part of the reason that these attempts at explanation fail, I think, is that photographers, like all artists, choose their medium because it allows them the most fully truthful expression of their vision... as Robert Frost told a person who asked him what one of his poems meant, 'You want me to say it worse?'
That was Robert Aldrich. And that [Emperor Of The North] was one of the only times I actually got a part in a movie in the conventional way: The role was there, I auditioned, I auditioned again, and then I actually did a full-fledged screen test, which they shot on a soundstage on the lot at 20th Century Fox. They put up a set, and Robert Aldrich actually directed me in this screen test.
Different influences at different times in my career, and some have stayed with me more, some less. Chester Himes. Ralph Dennis, who wrote a series called Hardman which is a big influence on the Hap and Leonard novels. Harlan Ellison, Philip Jose Farmer, Gerald Kersh, Fredrick Brown, Robert Bloch, and I'm just getting started. I read constantly. As for the epic Western, that's Paradise Sky.
Years ago I was going to play Chet Baker in another movie and I really felt drawn to that character and the script is good and I met with Robert and we seemed simpatico and we developed. But I had a real passion for that role and that brought me deep into that film 'cause I got the sense that Robert Budreau was going to really let me be creative inside this part.
Without a doubt, Robert Rodriguez is the reason I was drawn to it. The fact that he even knew who I was and then was interested in me for the role was amazing. I am a huge fan of his and it's like a bucket list thing for me to be able to work with him and knowing that Jessica Alba and Jeremy Piven were in it I knew that part was going to be good and as you said, the pedigree of the series was great, so it was really one of those things I couldn't resist.
All of Robert Caro's biographies are exceptional, in part because of Caro's fundamental ambivalence about power. He sees its necessity and use for getting things done, even as he is often repelled by watching power at close range. His masterpiece on Robert Moses, The Power Broker, describes the evolution of Moses from idealist to pragmatist as he became one of the most powerful figures in the 20th century.
People think of me in the same breath as Robert Redford and Robert De Niro.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
I became a member of the faculty at Northwestern University in 1965 but did not complete my thesis until two years later at a graduate ceremony at which Carnegie Institute of Technology became Carnegie-Mellon University. At Northwestern, I was mentored by the 'three Bobs:' Robert Eisner, Robert Strotz and Robert Clower.
That's true that Sen. Robert Bird was in the Klan and a lot of people were friends of Robert Byrd in the U.S. Senate, Democrats and Republicans.
At the Cardiff World Cup I really would like to make the final. The favorites are still Peter, Daniele or Vavra, but I will try to do my best in order to be closest as possible to these athletes.
I love the Dutch impressionists - Vermeer, Rembrandt. What they were able to do with light was astonishing. As for photographers, I think mostly of the Hungarians: Robert Capa, Laszlo Moholy-Nagy, Jozsef Pesci. In fact, I have one of his photographs hanging in my house.
I grew up watching Marlon Brando, Christopher Walken, Robert de Niro, and Al Pacino and even Robert Duvall and was impressed by their caliber of work.
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