A Quote by Peter V. Brett

I think each book sort of finds its own theme as it goes on. 'Warded Man' was fear. 'Desert Spear' was exploration of the other. 'Daylight War' was relationships. Some of this is intentional, and some of it evolves naturally. The series as a whole is obviously something I have given a lot of thought to, but each book is its own animal as well.
'Jessica Jones' is its own animal, I think each one of these series is its own animal. There is some connective tissue, in terms of referencing the Marvel Universe, but it glances off of the other stories.
Mac [Barnett ] and I have been friends for more than ten years. We met working at an educational nonprofit. And we have been pranking each other the whole time. It's our own version of a prank war. We thought we would channel some of that energy into writing a book.
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
What's great is that each medium has a unique set of things that it does and does well. Film is a visual medium, and obviously, you can't fit a whole book into two hours unless you're really economical about it. Obviously, they say a picture is worth a thousand words, and on some level, it's sort of true.
Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
I love the way that each book -- any book -- is its own journey. You open it, and off you go. You are changed in some way, large or small, by having traveled with those characters.
If dysfunction means that a family doesn't work, then every family ambles into some arena in which that happens, where relationships get strained or even break down entirely. We fail each other or disappoint each other. That goes for parents, siblings, kids, marriage partners - the whole enchilada.
But, I think that the reason I responded to this book, sort of paradoxically, is that it starts out like The Big Chill, sort of. Four friends, who are not quite happy with their life, and every year they get together for a week and look for some comfort from each other.
I suppose also that watching marketing and publicity stuff play out from behind the scenes, making those plans and seeing each piece fall into place or not, each year, for each book, has made me a little more tranquil about the process for my own book than I might otherwise be.
Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.
A man seeks his own destiny and no other, said the judge. Wil or nill. Any man who could discover his own fate and elect therefore some opposite course could only come at last to that selfsame reckoning at the same appointed time, for each man's destiny is as large as the world he inhabits and contains within it all opposites as well. The desert upon which so many have been broken is vast and calls for largeness of heart but it is also ultimately empty. It is hard, it is barren. Its very nature is stone.
I think 'Two Towers' is a completely distinct film from 'Fellowship of the Ring' or 'Return of the King.' I think that you can watch them as a group and watch how the story evolves, but I think each one was made in its own entirety, and each one has its own palate of sound and music and color and characterization.
I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
Early love is exciting and exhilarating. It's light and bubbly. Anyone can love like that. But after three children, after a separation and a near-divorce, after you've hurt each other and forgiven each other, bored each other and surprised each other, after you've seen the worst and the best-- well, that sort of love is ineffable. It deserves its own word.
I have found that each of my books has developed out of something I have written in a previous book. Some thought evidently unfinished.
Community [is] a group of individuals who have learned how to communicate honestly with each other, whose relationships go deeper than their masks of composure, and who have developed some significant commitment to "rejoice together, mourn together," and to "delight in each other, make others' conditions our own.
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