A Quote by Peter van Agtmael
I am still covering conflict to some degree. I was back in Iraq. I've covered quite a bit of the Israel and Palestine. But I'm not doing it with the kind of intensity I was before and I'm not seeking out the front line and the kind danger that comes with being at the edge of the war the way I used to.
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We've always defined conflict fairly broadly from ideological conflict to troops on the ground. For quite some time we've talked about a focus on Palestine. Certainly no one can deny that Israel is conflict with Palestine and no one can deny that the U.S. is the largest supporter of Israel internationally - not only financially, but also in the United Nations where the United States is one of the very few countries that does not recognize Palestine as a state.
The kind of problem that America faces in Iraq is a little bit the kind of problem that Israel faced in dealing with Hezbollah. If the conflict, the theater of conflict enlarges, it's going to become more and more absorbing and more and more costly.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
Out there, in the world, all the walls were covered with graffiti: "Yids, go back to Palestine," so we came back to Palestine, and now the worldatlarge shouts at us: "Yids, get out of Palestine."
I wanted to continue doing my work, but I had to figure out how. And so what I have basically come up with is that I still go to Afghanistan and Iraq and South Sudan and many of these places that are rife with war, but I don't go directly to the front line.
I can't believe that this world can go on beyond our generation and on down to succeeding generations with this kind of weapon on both sides poised at each other without someday some fool or some maniac or some accident triggering the kind of war that is the end of the line for all of us. And I just think of what a sigh of relief would go up from everyone on this earth if someday-and this is what I have-my hope, way in the back of my head-is that if we start down the road to reduction, maybe one day in doing that, somebody will say, 'Why not all the way? Let's get rid of all these things'.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.
I think most of my films all have a certain tone or intensity in them. They are tense, and you kind of anticipate some kind of catastrophe, but you're not quite sure.
We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.
Palestine is about how we drink the water, whether we are being ecological or not. Palestine is our way of exercising our daily living. That's what's going to solve the problem of Palestine. It's also how we think of ourselves spiritually. This kind of disconnectedness is harmful to the person who is acting that way and is sometimes annoying.
Some people who come from high levels in other backgrounds where they're used to being the best or used to being on a kind of pedestal, it's hard to kind of lower yourself again and just be one of the grunts. I kind of enjoyed that challenge in MMA.
Before filming I'll be constantly thinking about my role at the back of my mind and slowly build up the intensity until I can explode on set. There is a very fine line between not quite getting there, and getting that bit too intense.
Muslim anger has, of course, been stoked by America's war in Iraq and by Israel's brutal policies toward Palestine and Lebanon.
I've still kind of maintained a low profile but people still kind of recognize you and will come up to you, and that's taken a bit of getting used to.
I sort of think in a way that many of us young reporters who had the opportunity to go overseas for our organizations were kind of, in a sense, war profiteers. We were enhancing our careers while covering that terrible conflict.
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