A Quote by Peter Webber
My most famous drama in England is quite controversial. It's something called Men Only, and it's rather a shocking exploration of male sexuality.
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I think women don't see themselves and their sexuality as wholesome. And yet men's sexuality is everywhere. We experience it as a culture in stadiums, thousands of raging fans of male sexuality, screaming, "Kick the ball over the goal post. Get the ball in the hoop. Score a home run." Male sexuality lives in that prowess of the scoring, of conquering, of getting, of that beautiful male energy of domination, aggression, and the competition.
Cause if you're a transvestite, you're actually a male tomboy, that's where the sexuality is. Yeah, it's not drag queen, no; gay men have got that covered. This is male tomboy, and people do get that mixed up, they put transvestite there - no no no no! Little bit of a crowbar separation, thank you! And gay men, I think, would agree. It's male lesbian, that's really where it is, ok? Because... it's true! 'Cause most transvestites fancy girls, fancy women. So that's where it is.
That we do not discover reality but rather invent it is quite shocking for many people. And the shocking part about it - according to the concept of radical constructivism - is that the only thing we can ever know about the real reality (if it even exists) is what it is not. It is only with the collapse of our constructions of reality that we first discover that the world is not the way we imagine.
I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
I went to drama college in England - the Central School of Speech and Drama, in London. I was there for not quite two years, then I got Star Wars.
As far as I've been alive, women have always been more or less the symbol of sexuality rather than the male. We don't see the naked male body, as the symbol of sex.
When women's sexuality is imagined to be passive or "dirty," it also means that men's sexuality is automatically positioned as aggressive and right-no matter what form it takes. And when one of the conditions of masculinity, a concept that is already so fragile in men's minds, is that men dissociate from women and prove their manliness through aggression, we're encouraging a culture of violence and sexuality that's detrimental to both men and women.
I was never confident about finishing a book, but friends encouraged me. When I finished my first book, it was accepted by a publisher right away and became an instant bestseller. One male critic called it the most shocking book he ever read.
Sexuality, desirability has nothing to do with body type. It has to do with how you feel from within. I was at my fattest best in 'The Dirty Picture,' and I was called the most desirable. So there you go. I am quite well-endowed, so I have no complaints.
What gets made that's considered for men - it's really just T&A stuff. It's not stuff than any guy I know really wants to watch, you know, the stuff with jiggling boobs and all that. Something with real sort of male themes and male strength and things I want to watch in a drama.
We live in an imbalanced society when it comes to encouraging male sexuality and discouraging female sexuality.
When you're a female poet, would you, therefore, invoke a male muse? When nuns get consecrated into their vocations, they become brides of Christ. Christ is the bridegroom. In these symbolic actions, rather than in physical actions, where a male reaches sexuality or participates in intimate exchanges, if one uses a different term - there's often a heterosexual figuring that takes place. The male poet invokes a beautiful female muse. The virginal nun consecrated invokes the male bridegroom, Christ.
I've always been called "controversial." I think if I were not controversial I wouldn't be doing my job.
I've worked in male romance movies quite a bit. In fact, I think many years ago, I did a movie called 'Men With Guns,' which was very much in this bromance space. I've done a number of them.
Women are just more oriented toward feelings - and I don't mean that in a negative way. But with a male actor and a male director, the emotional exploration can only go so far. With a female director, you can end up exploring so many more depths.
Only the violent acts of men "count" toward something besides evil in a patriarchy. It is the male story of violence that is sanctioned both socially and aesthetically. The male hero and acts of heroism require violence. Everyone is okey dokey with that. We are only beginning to see that constricting set of truths open up a little.
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