A Quote by Peter Webber

I've got a very wide taste in art. I like Russian icon painters. I like Salvador Dali. It's like music. Sometimes you want to hear Led Zeppelin, and sometimes you want to hear Stravinsky. It just depends.
I just feel like sometimes people don't want to hear the truth. It's hard when you hear the truth. People want to hear what they want to hear. Sometimes I have a hard time with that because I'm very honest.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
I've got a few reasons why I've got to maintain stability. I've got into wanting people to hear my music. I've got something I want people to hear because I know they'll like it. They've gotta like it! The songs I've been writing are the sort of things you have to like.
When you go to a restaurant, sometimes you want to go to Heston Blumenthal's where you hear the sound of the sea while you're eating one tiny thing for a hundred quid. And then sometimes you just want toast. You just. Want. To eat. Toast. Sometimes you have to be okay with the fact that in terms of comedy, I'm just like, maybe, 'chips and a side.'
Sometimes you're quite fortunate, being on the stage, getting to meet people like Salvador Dali.
I sometimes listen to music I made and find it to be something I wouldn't want to buy from a store, if there was a store. When it's like that, you have to make what you want to hear.
Sometimes, men just need a little push. Men won't always be like, 'You are so beautiful. You look great today.' And sometimes women want to hear that.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
I like to go in the corner, in the quiet, 'cause I got to hear my thoughts. If I hear the beat for, like, five seconds, I basically got the tempo, and I don't need to hear it no more. I just focus and write.
Sometimes I prefer when I can hear other people conduct my music so I can sit out and actually hear it. When you are in the middle of it, sometimes it's a little bit hard to hear and get the whole effect.
We didn't go for music that sounded like blues, or jazz, or rock, or Led Zeppelin, or Rolling Stones. We didn't want to be like any of the other bands.
It's Frank's painting on the cover. We were originally going to use a Salvador Dali painting that we got permission from Salvador Dali to use, and Frank found this one, and it really did fit the music much more.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
Hear the birds? Sometimes I like to pretend that I'm deaf and I try to imagine what it's like not to be able to hear them. It's not that bad.
I go through phases sometimes: 'I'm a genius; they get me,' and sometimes I'm like, 'Why does anyone want to hear me?'
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