A Quote by Peter Wright
I have never subscribed to the Dirty Pallet school of painting.
Related Quotes
I attended the High School of Industrial Arts and studied with many great artists as painting is something that you never stop learning about. Actually, in high school there was a time that I was thinking about just concentrating on painting and I asked my music teacher, Mr. Sondberg, for advice and he encouraged me to stick with the music as well. So all my life I have been singing and painting.
Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced.
I never did a dirty armpit. You can look dirty, but you can't be dirty.
I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
I do not agree with this notion that somehow if I go to try to attract votes and to lead people toward a better tomorrow somehow I get subscribed to some-some doctrine gets subscribed to me.
When I think about political races, and certain consultants, the word that comes to mind is dirty. Dirty, dirty, DIRTY!
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes - basic elementary painting classes and drawing classes of all sorts.
There was a school in Chicago called the School of Design. This was started by [Laszló] Moholy-Nagy, and it was a wonderful school, but we [with Alix MacKenzie] didn't go to that school. We did have friends who went to that school and we would visit there often, and I'm sure it pushed me in my painting direction very strongly just by association.
I have never subscribed to public confessionals.
I don't buy into this idea that pop has to be frivolous or vacuous, and we've never subscribed to that.
There's two kinds of dirty - dirty and sewer-dirty. Danny Ferry is sewer-dirty and has been ever since he was at Duke.
I thought I was going to be able to use my painting ideas as decoration on pottery, but my painting did not translate into decoration on pottery. I thought it was going to, and in fact I made, while still in school, a plate with one of my paintings on it, and that's exactly what it was, it was a plate with a painting on it. It was not a decorated plate; it was just a painting superimposed over a three-dimensional ceramic form.
I've never done a trendy diet or subscribed to a fashionable health fad in my life.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
I have never subscribed to the idea that it's necessary to greet someone in the office by wrapping arms and touching backs.
I sometimes wish I had never had to sell a painting. Every painting you make represents the time it was made and how you were feeling and what your influences were... You are never going to feel that way again, so you can never repeat it.
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