A Quote by Peter Yarrow

The songs worked as a different kind of rhetoric, one that could reach the fence-sitters. — © Peter Yarrow
The songs worked as a different kind of rhetoric, one that could reach the fence-sitters.
Great leaders are not proverbial fence sitters. They judge. They opine. They challenge. They fight for their vision.
That's the thing about zombies. They don't adapt and they don't think. Literally, you could have a zombie on one side of a chain link fence and you could be on the other side and they could be trying to get to you and six feet down could be an open door and they will not go through that door in the fence. That's why they're so scary.
There are definitely some songs you sing and you just know there's something about it - there's kind of a touch on it that's different. But there are no rules to that. Every time, it's a surprise and it's humbling to hear that people are singing the songs in different places and different parts of the world. We're always amazed by that.
If something's public then it seems like the important thing is the person in that public. And the notion of rhetoric. I went to Jesuit schools that focused on first there's grammar, then there's rhetoric, and rhetoric's usually seen as a kind of degraded method, because you're trying to persuade.
My mother was a - she worked at a halfway house. And one of the former inmates slid me a mix-tape full of different hip-hop songs. And so that was my first kind of experience with rap music.
It's a different kind of satisfaction, different kind of enjoyment than making your own songs, to remake someone else's song that you really like.
It [Border fence] hasn't worked. What has worked is more border patrols... What has worked is some technology.
There was a fence and there was this other van- So I go, 'Fence or van? Cause I'm crashing into one of them,' and I said 'Fence,' so I hit the fence and bounced into the van
Enjoy your dear wit and gay rhetoric, That hath so well been taught her dazzling fence.
There's so many different kinds of songs that could be pop songs. I don't think pop songs should sound the same.
I would go into my three different sisters' rooms in the early-mid '70s and they had very specific different tastes in music. I specifically remember lying on my different sisters' bedroom floors and listening to their record collections. And "Starship Trooper" was one of my sister Nancy's favorite songs and favorite album. Music is so defining for me. In the late '70s and early '80s, I worked in radio. When I was in high school, I worked at two different radio stations.
I feel an acting stint would help me widen my reach as a singer. Being an actor would let me reach out to people who may not have heard my kind of songs.
The tradition is a fence around the law; tithes are a fence around riches; vows are a fence around abstinence; a fence around wisdom is silence.
I think it worked two ways. One, a lot of people writing about the movie used that as shorthand and it could either be a good thing or they could use it to dismiss the movie like we were a copycat movie or something like that. It's very much its own story. It is a young woman in a post-apocalyptic society, but after that it's just a whole different kind of story and a different journey that she goes through.
What I like about prose poems is that they seem to make people uncomfortable - people want to define them, justify them, attack them. Prose poems are natural fence-sitters.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
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