A Quote by Peter York

My friends adore 'TOWIE' - the TV documentary series, 'The Only Way is Essex.' They like it, I'm afraid, for the most unworthy of reasons: class mockery. They tune in to wonder in a 'can you believe those people?' way at the natives of Brentwood and Buckhurst Hill.
I come from Essex, Buckhurst Hill, where Jade Goody was buried. My hometown will forever be known for that.
I'm not a nervous person. I'm not afraid to be on TV. I'm only afraid when I write. When I'm at my desk I feel like most people would feel if they went on TV.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
Things like 'The Office,' and arguably shows like 'The Only Way Is Essex,' are comedies, just using real people in real situations.
I don't understand 'The Only Way Is Essex' and 'Made in Chelsea': the way they pretend there's no camera. I cannot fathom the attraction.
I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].
I, myself, write to change my life, to make it come out the way I want it to. But other people write for other reasons: to see more closely what it is they are thinking about, what they may be afraid of. Sometimes writers write to solve a problem, to answer their own question. All these reasons are good reasons. And that is the most important thing I'll ever tell you. Maybe it is the most important thing you'll ever hear. Ever.
Like most lazy upper-middle-class kids, American Studies seemed like a fun way to use your knowledge of TV to get an A.
So we are headed for a time when there won't be anything but movies that are essentially made like video games, and actors will become obsolete, and then the big stars will be people who live in Brentwood or wherever it is, and they have a show called, I don't know, "Pool Parties of Brentwood" or something like that.
Declare war on passivity. Hush the inner voice that insists you're over the hill, past your prime, unworthy of attaining those dreams. Disbelief is now the enemy, as is the notion of settling. Get hungry- hyena hungry. Get fired up. Find your backbone, and your wings. Flap 'em. It's the only way you'll be able to fly.
Comedy people like other comedy people. People hang out and are friends and do shows together, and when you get something going like a TV show or a movie, you want your friends to be in it and make it funnier. That's just the way it should be.
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.
I do get propositions, but you can't take it serious. I'm in me mid-forties, I've got teenage kids - there's no way I'm going to be caught in a Jacuzzi with some girl out of 'The Only Way Is Essex.'
Day by day, it's worse for my people, especially for the women. And that's why, because of all of these main reasons, we say this is the mockery of democracy and mockery of War on Terror.
I just take a tune and play it the only way I can. That's it. I don't really dwell on it very much. Some people probably do. I can only say I play it the way I feel it.
This site uses cookies to ensure you get the best experience. More info...
Got it!