A Quote by Peter Zumthor

In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings and speak its own language. — © Peter Zumthor
In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings and speak its own language.
If words are to change their meanings, as assuredly they are, let each user of language make such changes as please himself, put up his own suggestions, and let the best win.
I say to myself, go on seeking, be glad for being sensitive, be glad you're able to go beyond the resistance inside you. It is our resistance to what we experience that makes creativity possible. So don't get rid of resistance like that by going around it or trying to eliminate it. Our own limitations put up strong resistance, but it's because of that that we are creators
Dare I speak ,to oppressed and opressor in the same voice? Dare I speak to you in a language that will move beyond the boundaries of domination- a language, that will not bind you, fence you in, or hold you? Language is also a place of struggle. The oppressed struggle in language to recover ourselves, to reconcile, to reunite, to renew. Our words are not without meaning, they are an action, a resistance. Language is also a place of struggle.
I don't know many rules to live by,' he'd said. 'But here's one. It's simple. Don't put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles--drug or tattoo--and...no inessential penises either.' 'Inessential penises?' Karou had repeated, delighted with the phrase in spite of her grief. 'Is there any such thing as an essential one?' 'When an essential one comes along, you'll know,' he'd replied.
You can't write about people out of textbooks, and you can't use jargon. You have to speak clearly and simply and purely in a language that a six-year-old child can understand; and yet have the meanings and the overtones of language, and the implications, that appeal to the highest intelligence.
Wherever I go, I have to speak English, which is my second language. So whenever you get a chance to speak in your own language? It feels good.
Literature is a form of language that breaks with the whole definition of genres as forms adapted to an order of representations, and becomes merely a manifestation of a language which has no other law than that of affirming in opposition to all other forms of discourse its own precipitous existence.
Abstract painting seeks to be a pure pictorial language, and thus attempts to escape the essential impurity of all languages: the recourse to signs or forms that have meanings shared by everyone.
When a society decays, it is language that is first to become gangrenous. As a result, social criticism begins with grammar and the re-establishing of meanings
My own conclusion is that history is simply social development along the lines of weakest resistance, and that in most cases the line of weakest resistance is found as unconsciously by society as by water.
We set the actors on the scene through the banal discourse of "conflict" in ways that fully deflect from the history and struggle of colonial resistance, refusing as well by that means to link the resistance to other forms of colonial resistance, their rationale, and their tactics.
A satyagrahi is sometimes bound to use language which is capable of two meanings, provided both the meanings are obvious and necessary and there is no intention to deceive anyone.
I fought violently for the autonomy of architecture. It's a very passive, weak profession where people deliver a service. You want a blue door, you get a blue door. You want it to look neo-Spanish, you get neo-Spanish. Architecture with any authenticity represents resistance. Resistance is a good thing.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
Even though many Indians can read or speak English, for most, it is not their first language. At the office, we speak in English, but we consume our culture in our own language.
Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms.
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