A Quote by Peter Zumthor
My first buildings, when I was about 30, were rejected for aesthetic reasons.
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J. K. Rowling's first 'Harry Potter' manuscript was rejected 12 times. Stephen King's 'Carrie' was rejected 30 times. 'Gone With The Wind' was rejected 38 times. I was immensely proud to have beaten them all.
I get mad at people who talk about traumatic job interviews, about going on one and getting rejected. I get rejected all the time and not only do I get rejected, but people have no problem being really specific about why I was rejected.
Personally, I am uneasy about the notion of "a politically engaged university," for reasons I wrote about over 30 years ago, at the height of protest and resistance (reprinted in For Reasons of State).
If you add something to a painting, never let it be for aesthetic reasons. Only let it be for reasons of expression.
If I could be said to have any kind of aesthetic, it's sort of a magpie aesthetic - I just go and pick up whatever is around. If you think about it, the children were there, so I took pictures of my children. It's not that I'm interested in children that much or photographing them - it's just that they were there.
The true traveller is the one urged to move about for physical, aesthetic, intellectual as well as spiritual reasons.
When we started out, we were among the first. Beijing had no and Shanghai had very few large buildings. At that time, it was all about building, building, building - and then selling, selling, selling. We were working like a manufacturer. Soon, however, we realized that land was running out in Beijing and Shanghai. So we started keeping our buildings, and managing and renting them out. We became landowners. That was the second act.
Our Founding Fathers were the first to articulate the reasons for their First Amendment, the same reasons given by Learned Hand, and by Justice Brennan in New York Times v. Sullivan . It is a lesson we keep forgetting and must relearn in each succeeding generation.
I remember the first show I had there were about 3 people, at least there was somebody. The next one was about 30. Then a couple years later there were 300 people and before I knew it there were 3,000... Then one day, I opened my eyes and there were 300,000 singing all my lyrics.
The first time I sang in front of an audience, I was about 14 - it was at my guitar school's showcase, and there were about 30 people there. I was so nervous, but I did it.
My aesthetic is not a Disney aesthetic at all, but when I met with the wonderful producers at Disney, they weren't looking for me to do their aesthetic. I'd already spent 20 years in the theater, so if they were going to hire me, they'd be hiring me for what I have to offer.
I actually had that conversation with [Channel 4 Chief Creative Officer] Jay Hunt. We were at a bit of a crisis point. I'd written a totally different script - about war, basically - that got rejected at the last minute for various reasons. The whole of the series was in doubt. I said, "Well, there is one other idea ["National Anthem"]."
As the Ambassador for WWF Earth Hour, I still vividly remember that there were only 80 buildings in China that participated the Earth Hour in its first year. Six years later, there were 170 cities and thousands of buildings that participated. We are still growing strong. I am encouraged by the accomplishments we have made together and they make me proud and more determined than ever.
Justin, honey, you were my very first kiss. My very first hand to hold. But you were nothing more than an average guy. And I don't say that to be mean- I don't. There was just something about you that made me need to be your girlfriend to this day I don't know exactly what that was. But it was there.. and it was amazingly strong. -Thirteen Reasons Why
I take facts about reasons to be fundamental in two ways. First, I believe that facts about reasons are not reducible to or analyzable in terms of facts of other kind, such as facts about the natural world. Second, I believe that reasons are the fundamental elements of the normative domain, and other normative notions, such as goodness and moral right and wrong can be explained in terms of reasons.
I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
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