A Quote by Petr Cech

Obviously, every player wants to keep their spot in the starting line-up, and I'm the same. — © Petr Cech
Obviously, every player wants to keep their spot in the starting line-up, and I'm the same.
Of course I want to play my way into the starting line-up, that's what every player wants to do.
Every player wants to be at Real Madrid, of course. I fought my entire life to be at the club, but only in the starting line-up.
It's good to be competitive when everyone wants to be in the starting line-up.
I never gave up as a player, and I won't give up as someone who wants to go to the Hall of Fame, because it's the ultimate goal for a baseball player or a football player or a basketball player.
There has been the negative impact of spot-fixing and match-fixing, but it is the individual player's responsibility to look after that because if a player wants to do that, it is difficult to stop him. It is the individual player's responsibility to play fairly.
We are all friends here at United. But it is good to feel that everyone wants a spot in the starting XI.
Every player that I've ever been around that's worth a damn wants to be challenged and wants to be pushed, and wants to be coached hard, and wants to be held accountable.
Every manager has different opinions and all you can do as a player is try to fight and get your spot back, or at least earn your manager's trust back to try and get your spot back. There's no use sulking about it, you just get on with it and try to raise your game to get back to the level you need to be when you were starting.
If I wasn't so lazy, or if I had a roadie, I'd have a line of guitars on stage. I'd have a lap steel and a nylon string up there, but who wants to keep up with all that?
Obviously, you have to play well to keep your spot.
I'm just a player who wants to work and who does my job every day, the same as I always did.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
Obviously, any player wants to set a record.
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
The old chess is too limited. Imagine playing cards, black jack for example, and every time the dealer has the same starting hand you have the same starting hand. What's the point?
Not all are starting from the same line; however, the finishing line is certainly the same. We all have to show how much money our films make or how many awards we win or what critical acclaim and commercial success our films have.
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